无序之有序——对架上绘画形式语言的研究和探索-disorder and orderliness - research and exploration on the formal language of easel painting.docxVIP

无序之有序——对架上绘画形式语言的研究和探索中文提要每一种艺术门类的审美特征，都需要特定的语言来传达。架上绘画也不例外，要 通过一定的形式语言才得以呈现。形式语言对于架上绘画具有显而易见的重要性。绘 画史就是一部关于审美的历史，人的审美心理的需求，其本质要求不断的求新求异。 西方油画的历史就是一部绘画语言的发展历程，从古典、近代到现代，对绘画语言的 探索和拓展始终没有停止过，及至后现代乃至当代，绘画的形式语言愈加丰富多彩而 随心所欲，拼贴、行为、装置、录像等等，表现形式层出不穷，使艺术的表达空前自 由。作为身处当下创作前沿的艺术工作者，无疑对我们提出了新的挑战，要求我们深 入研究绘画的审美趣味，不仅是在主题内容上的，也在形式语言上，不断做出变化和 创新。在我的毕业创作中，我对架上绘画的形式语言进行了一定的研究，通过对具象空 间、抽象意趣、综合材料以及肌理的尝试和探索，对绘画形式语言的可能性、多样性、 和表现力有了新的认识。并且，在我的毕业作品里，我还试图向观者传达一种内在的 哲学诉求——无序之有序。关键词：架上绘画；语言；哲学诉求作者：孙云 指导教师：刘昌明Disorder of the order - on the easel painting formal language of research and explorationAbstractEach category of the aesthetic characteristics of an art, requires specific language to communicate. Easel painting is no exception, there should be some form of language before they can be presented. Formal language for easel painting has obvious importance. History is an aesthetic drawing on the history of human aesthetic needs, an essential requirement to keep the novelty Seeking Difference. The history of Western painting is a painting language development process, from the classical, modern to the modern language of painting the exploration and development has never stopped it happened in post-modern and even contemporary art in the form of the language even more colorful and arbitrary, collage , behavior, installation, video, etc., form an endless stream, so that an unprecedented freedom of artistic expression. As are in the forefront of contemporary creative artists, no doubt we have proposed a new challenge to be studied in depth the aesthetic taste of painting, not only in the content on the subject, but also the form of language, constantly making changes and innovation.In mine graduation creation, I formal language of the easel painting had done some research on the concrete space, abstract charm, comprehensive materials and texture to try and explore the possibility of painting the form of language, diversity, and With the new understanding of the expression. And, in my graduate wor