从“承传”中酝酿“个性”—油画学的坚持与顺应毕业论文.docVIP

毕业设计（论文） 题 目:从“承传”中酝酿“个性” —油画学习的坚持与顺应Brewing “personality” from the inheritance” -----The persistence and adaptation Art 学 院美 术 学 院 专业名称：油 画 班级学号：0905042076 学生姓名： 指导教师：完成时间：毕业论文声明 摘 要 油画是从西方传入中国的艺术 ,而西方的油画艺术大体经历了古典主义、印象主义、表现主义、立体主义到现代派等各个历史阶段 ,发展形成了完整的油画艺术语系；油画是世界性的艺术 ,一个没有自己油画艺术语言的国家 ,很难从文化的角度与世界进行平等对话。 凡?高曾对其弟弟说：“我问你要去哪？也许你会说，在巴黎有花园，你也可以开花、结果。但你是麦子，你的位置在故乡的麦田里，才能生根发芽。”由此观之,对本国艺术有深厚的感情，历经磨练，才能对艺术真正的感受。当下许多中国油画家在汲取西方油画传统的同时,关注中国本土的文化底蕴,有意识地或无意识地在创作中融汇中西,使中国油画显示出勃勃生机,焕发出新的光彩,使得富有特色的中国油画逐步成为世界艺术的一个组成部分。基于对我国许多油画家们在他们作品中所体现出的本土情结,也基于对当下明显存在传统文化缺失现象的担忧,引发了我对当下中国油画本土情结的思考。在中国油画本土情结的探究中,许多油画家和理论家给予了我们很多具有说服力的借鉴形式以及理论支持。本文拟从油画作品的表现内容和油画作品的表现手法以及油画作品所呈现的风格面貌三个方面,对具有本土情结的代表性作品进行分析和论证,以期对油画的创作实践能有更加明确的理解和认识。 关键词：美术学院 油画 传统文化 外化 内不化 Abstract Painting is the art was introduced into China from the west, and the western oil painting art has experienced the classical, Impressionism, expressionism, cubism to modern such historical stages of development, formed a complete oil painting art. Painting is the art world, one does not have its own oil painting art language of the countries, it is difficult to from the perspective of culture and the world of equal dialogue. Van Gogh was the brother said: I ask you where to go? Perhaps you will say, a garden in Paris, you can blossom, the results. But you are wheat, your position in the hometown of wheat fields, can take root germination. As a Chinese painting learner, not only to master the art of Western oil painting skills, more important is to get out of the path of development of Western oil painting art, seek their own art language. In this study, the traditional art of internalization and not as a starting point, to coordinate and conform to the national study of art and reform innovation. From the national minority character picturesque, quiet night by the lake, to the dawn of waiting, to convey my attitude towards art and spirit to. Investigation on the side of the students from the cognition to the i