集体农庄与裸体画室——影响中国写实油画的两条道路比较-collective farm and nude studio comparison of two ways to influence realistic oil painting in china.docx

集体农庄与裸体画室——影响中国写实油画的两条道路比较AbstractChinese oil painting the scale time interval has been 50s comparatively a century so far. Oil painting boundary the road paying attention to the oil painting affecting China broadly to this momentary Duan, writing or painting realistically has two , a bar is the former Soviet Union oil painting , another a bar is that London draws faction work. Two roads difference has been enormous , has initiated several writing or painting realistically face to face on behalf of the Chinese oil painting worker the oil painting viewpoint is divergent.Cognition for the purpose of, the main body of a book be tied in wedlock self study about practice , the parallel carding making the best of selfs power at this point.The way combing job to take samples comparing spreads out , the former Soviet Union oil painting takes samples writing or painting realistically to China oil painting produces work of the former Soviet Union of too significant effect painter Plastov , London painting sends taking samples being hit by at present in entrance album of paintings, the painter owns work of amounts gigantic United Kingdom painters Lucian · Freud in the homeland. Position , subject matter choose classics drawing , work structures, the shape color handles four set of comparison , the formation having demonstrated two roads, depends on the different social environment and differs from each other to watch tradition. Also from writing or painting realistically on scientific principle or law to China, the oil painting current situation has a few cognitions.Keywords: Write or paint realistically oil painting drawing Taoist temple drawing language drawing subject matter shape color handles云南艺术学院美术学院硕士论文云南艺术学院美术学院硕士论文目 录中文摘要 英文摘要导言 …………………………………………………………………………… 1第一章 20 世纪欧洲写实油画两条道路的形成与中国的选择…………… 3第一节 20 世纪欧洲写实油画两条道路的形成及要义…………… 3第二节 中国写实油画的选择及语言实践的缺失………………… 4第二章 现代主义之后欧洲写实油画两条道路的比较……………………… 6第一节 绘画立场比较………………………………………………… 6第二节 题材选择比较………………………………………………… 9 第三节 作品构建比较…