审美与政治的变奏——姚蓬子文学创作分析-variation between aesthetics and politics - analysis of yao pengzis literary creation.docxVIP

摘要象征派诗人，左联作家，脱党叛徒，文协骨干，这些看似矛盾的头衔都体现在姚蓬子一个人的身上。这“传奇”般的人生经历造就了他多变的文风。他身上有着失意青年的萎靡不振，有着小资产阶级的虚伪麻木，有着革命家的战斗精神，这些反映在文本上，就出现了象征颓废派诗歌、摩登都市题材小说、底层阶级书写与抗战杂文等多副笔墨。同时他的文学风格也随之不断的变化，审美与政治特性在他的创作历程中交织着进行。这种多变的文风，在此论文中把它称为一种类似于“变色龙”的文学行为和性质，即没有成熟或无定力的作家，喜欢追逐时潮和时髦，而研究这种现象和其利弊，具有文学反思价值，又有现实针对性。本文分三章来进行论述：第一章主要分析他三个时期诗歌风格的三次转变，从唯美颓废到革命反抗再到政治斗争；第二章主要研究他小说的摩登都市与左翼政治的双重书写，前者体现了他一贯的审美主张，后者则是受到了左翼政治文化的影响，将两种笔法合并在同一文本之中，体现了他善于学习和文坛“多面手”的特点；第三章着眼于姚蓬子左联与抗战时期杂文题材内容的分析，前一阶段偏重文学的审美意识，后一阶段大体上放弃了审美艺术方面的追求和趣味，追求通俗化的文风。关键词：姚蓬子文学创作审美政治IAbstractALiteratureleftistwriter,asymbolistpoet,adefectedtraitors,abackboneofChinaNationalArtantiAssociation:theseseeminglycontradictorytitleswereembodiedinYaoPengzi.Hislegendarylifehascreatedachangefulstyleforhim.Hehasfrustratedyouthmalaise,andcarriedthehypocrisyofthepettybourgeoisienumbnessaswellastherevolutionaryfightingspirit,whichreflectedinthetextwasasymbolofdecadentpoems,modernurbanfictions,underlyingclasswritingandessayofthewarofresistanceagainstJapan,etc.Atthesametimeinhiswholecreationcourse,hisliterarystylewentthroughmanychangesmixedwithaestheticandpoliticalcharacteristics.Thechangefulstyle,whichiscalledthechameleonliteraturebehaviorinthispaper,i.e.writerswhoareimmatureorwithoutconcentrationliketochasethetideandfashion.Thestudyofthisphenomenonanditsprosandconsisvaluableforliteraryreflectionandpertinence.Thisarticleisdividedintothreechapters:thefirstchaptermainlyanalyzesthethreeperiodsofthethreeshiftsonhispoetrystyle,fromdecadentaestheticismtorevolutionagainstpoliticalstruggle.Thesecondchaptermainlystudieshisnovelonmoderncityandleft-wingpolitics,whichembodieshisusualaestheticviewInfluencedbytheleft-wingpoliticalculture,hisnovelsonleft-wingpoliticsmergethetwostylesofwritinginonetext,whichreflecthimgoodatlearningandthecharacteristicsofliterarygeneralists;ThethirdchapterfocusesonanalyzingthesubjectandcontentofYaoPengzi’sessaysduringtheAnti-JapaneseWar,whichinvolvestwopartsgenerally.Thefirstpartconcentratesontheliteraryaestheticconsciousness,andthesecondpartisma