诗乐合璧相得益彰——黎英海古诗词艺术歌曲《枫桥夜泊》分析-the combination of poetry and music brings out the best in each other - analysis of li yinghais ancient poetry and art song.docxVIP

II II 内 容 摘 要 《枫桥夜泊》是盛唐诗人张继所写的一首诗，该诗意境深远，运思细密，短短四 句诗中包蕴了六景一事，构成了一幅情味隽永幽静诱人的江南水乡的夜景图，使它成 为流传古今的名作。 黎英海为《枫桥夜泊》谱写了同名艺术歌曲，该作品运用整体构思的方法通过 钢琴低音部双持续音的“钟声”、中层装饰性音型的“流水声”、上层旋律音型的“缕 缕愁思”，与吟诵性的、带有古曲韵味的独唱旋律相结合，生动、真切地表现了原诗 中那种无限愁情但又怀有某种希望的深刻意境，其别具一格的艺术手法和鲜明的音乐 形象令听众为之叹服。黎老先生自己认为，《枫桥夜泊》全曲以缓慢低沉的钟声为背 景，在钟声的间隙中出现江南吟诵式的歌调，钟声持续的叩击着过客孤寂的心灵，对 愁的岂是“江枫”“ 渔火”，最愁的正是心绪怅惘的作者本身；吟唱者感慨，钢琴的固 定低音同不断变换色调的高音区音型及中音区音型的交织，也是在“对愁”。可以看 出，作曲家是在充分了解古诗背景的前提下，对诗人内心进行深刻细致的揣摩后进行 歌曲创作的。诗歌从很细小的景色入手，通过描写半夜传来的钟声，引发满怀愁绪。 从黎英海为《枫桥夜泊》谱写的同名艺术歌曲及其演唱中，我们深刻体会到，声 乐艺术是文学与音乐相结合的小型综合艺术，声乐艺术具有时间艺术的显著特征，声 乐艺术是一种非再现性艺术。与此同时，声乐艺术作为人声唱出的带有语言的音乐， 它从构成方式上也界定了语言音乐化的艺术表现的质的规定性。因而，声乐艺术作为 音乐与诗、词相契合的综合艺术，具有音乐和诗、词两者的艺术功能。 “没有不需要歌唱的诗，也没有不需要诗的歌唱。” [关 键 词] 诗词 ；音乐 ；古诗词艺术歌曲 ；诗乐结合。 III III Abstract Being at Anchor near the Feng Bridge at night is a poem written by Zhang Ji of the prosperous Tang Dynasty .With a deep artistic conception and fine composition, the short poem of only sentences include six sceneries and an event forming a night picture of a meaningful, emotional quiet and attractive region of rivers and take in the south of China. Li Yinghai wrote a song with the same name as this poem. Using the whole composition, this song expressed that limitless distressed feelings lively and truly but still with some hope through using the low and lasting “sound of bell” of the piano ,the middle decorated sound of : “the flow of water” and the top lager melody sound of “threads of gloomy feelings”, which combined with the solo melody with the feature of reciting and the ancient lasting appeal .Its unique artistic method and distinctive music Image make the audience gasp in admiration. Mr.Li through that the whole tune of Being at Anchor near the Feng Bridge at night is based on the background of as low and low sound of the bell, in the interval of which appears the tune of reciting of the south in China. The lasting sound of the bell knocks the lonely soul of the passing travelers. What worries is not “the rivers” or “light on fis