河北藁城纸雕宫灯在室内设计中运用.docVIP

河北藁城纸雕宫灯在室内设计中运用 　　摘 要：灯具出现在室内设计中，不仅能满足人们的生活需求，还兼顾着装饰室内环境、提高生活品味和审美价值的意义。当前，室内环境中灯具的种类繁多，越来越注重功能性，却缺少了文化的意蕴。河北藁城纸雕宫灯作为中华非物质文化遗产之一，它有独特的魅力。然而，年轻一代人的审美情趣却逐渐趋向西化，对“老祖宗”的玩意儿逐渐失去了兴趣，传统灯具艺术品后继乏人。随着社会的发展和人们对生活环境要求的提高，在室内设计中设计风格也向本土化、传统化方向发展。通过研究河北藁城纸雕宫灯设计的文化艺术特征与室内设计的关系及作用，总结出新时代室内设计的特征，以及在室内设计中要衍化于民族文化的设计。 　　关键词：河北藁城；宫灯；室内设计 　　中图分类号：TU238+.2 文献标志码：A 文章编号：2095-2945（2018）07-0136-03 　　Abstract： Lamps and lanterns appear in the interior design， not only to meet the needs of people， but also to decorate the indoor environment， as well as improving peoples taste of life and aesthetic value. At present， there are many kinds of lamps and lanterns in the indoor environment， which pay more and more attention to function， but lack cultural meanings. As one of the intangible cultural heritage of China， the paper carved palace lantern of Gaocheng， Hebei has its unique charm. However， the aesthetic taste of the younger generation has tended to be westernized； they gradually lose interest in the ancestors thing， so the traditional lamps and lanterns art lack its successors. With the development of society and the improvement of peoples living environment， the design style in the interior design is also developing towards localized and traditional. Through the study of the relationship between the cultural and artistic features of the paper carved palace lamp design and the interior design in Gaocheng， Hebei Province， this paper summarizes the characteristics of the interior design in the new era and the design of the national culture in the interior design. 　　Keywords： Gaocheng， Hebei； palace lantern； interior design 　　1 河北藁城?雕宫灯简介 　　宫灯是河北藁城著名的手工艺品，始于东汉，胜于隋唐。因进贡宫廷而被成为“宫灯”。据《河北村镇词典》记载“相传，清雍正年间，屯头村一李姓老汉有做灯笼的手艺。每到年节，便做几对灯笼挂在自家门口，以增添节日气氛。有一年，他做了几对精致的灯笼到县城集市上去卖，恰被县太爷看见，并全部买下，挂在县衙门口观赏。这一年又到了进贡日期，县太爷为取悦皇上将自己心爱的灯笼献进宫内，被雍正皇上一眼看中，龙颜大悦，便把灯笼作为贡品。后来皇宫内到处挂上了大红灯笼，由于是皇宫专用，于是人们将贡灯称作为宫灯。”藁城宫灯由此而得名。[1] 　　改革开放为藁城宫灯的发展和“文化产业村”的形成带来了重要的契机。宫灯的艺人们师古而不泥古，在保持传统宫灯的外形及特色的基础上研制开发，从用料，样式不断改进，形成系列化，并与张家口蔚县联合