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“在西方的注视下”试论多丽丝·莱辛在《非洲故事》中对非洲的再现英语语言文学专业论文
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Acknowledgement
It would be impossible for me to express my thanks in the space of a few paragraphs to those who have helped me during my writing process. I will nonetheless take this opportunity to express my profound gratitude to those who have made this thesis possible.
First and foremost, I am indebted to my supervisor, Liu Xuelan, for her intellectual guidance and her constant encouragement throughout the writing of this thesis. Without her enlightenment and supervision, it would be impossible for me to complete this thesis. My appreciation of what she has done for me really goes beyond words.
I also wish to thank all my teachers at Hunan University of Science and Technology, especially Zeng Yanyu, Ling Jian?e and Lv Aijing, for their patience and advice on my thesis.
I would like to thank my classmates and friends Zhan Jiali, Chen Yanhui, and Jiang Xinyi for their generous help and support.
Last but not least, my gratitude also goes to my dear parents, who give me much love. Their support and love are the resources of my strength.
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Abstract
Doris Lessing is a prolific British writer with extensive concerns and profound insights, which lead to her harvest of Nobel Prize in 2007. Her early novellas, collected with the title as “African Stories”, both inherit and transcend westerners? tradition of the writing of colony. The Western “eyes” preceding Lessing mostly regard the colony as mysterious and exotic, and their representations often fall into stereotypes. But Lessing?s perception and representation of Africa assume some uniqueness.
Under Lessing?s introspective gaze, the white settlers are merely a group of ordinary people. No longer governors craving for power control or suppression, her figures are white commoners who, circumscribed by collective identity, internalize the consciousness of the white community while struggling for livelihood. Lessing?s narrative excavates the subtle but complicated structure of feelings of the white commoners in Afr
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