中国书法空间观在现代版式设计中的运用分析-analysis on the application of chinese calligraphy space concept in modern layout design.docxVIP
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中国书法空间观在现代版式设计中的运用分析-analysis on the application of chinese calligraphy space concept in modern layout design
A
ABSTRACT
硕士学
硕士学位论文
PAGE
PAGE IV
III
III
Research Relating To Chinese Calligraphy Spacing in Modern Layout Design Traditional Chinese calligraphy is widely used in modern layout design. Infusing modern layout design with traditional Chinese calligraphy is an important channel to achieve nationalization and localization. Chinese calligraphy also brings a rich visual effect to modern design. Spacing in calligraphy is an important part of creative layout design theory and it has great and direct influence on modern visual arts and layout design.
The theory of spacing in calligraphy consists of three key elements – lines, structure and principle. All these elements of calligraphy form a new creative paradigm for modern layout design and more importantly these elements inspire and give modern design a sense of dimension, balance and rhythm. The sense of dimension is reflected in the contrast of black and white colors, the solid and broken lines of calligraphy; the sense of balance is reflected in the difference between the dynamic state of Chinese characters and static state of Chinese characters; and, the sense of rhythm is reflected in the variety in sizes of characters.
As the study of the theory of calligraphy spacing evolves, the space between characters, the proportion of pictures and characters, colors collocation, ink’s dark and light color, the structure and styles of fonts and the effect of changing sizes of characters have all been adapted and implemented
in modern layout design by visual artists. This evolution of design has provided designers with the theoretical and technical support necessary to produce compelling yet functional layouts.
Key Words:Calligraphy Spacing, Modern Layout Design, the sense of
dimension, the sense of rhythm, the sense of balance
目录
目
录
硕士学
硕士学位论文
摘 要 1
ABSTRACT II
目 录 IV
第一章 绪论 1
1.1 研究背景、目的及意义 1
1.2 研究现状 3
1.3 论文研究方法 5
1.4 研究重点、难点和创新点 6
第二章 中国书法空间观概述 8
2.1 线条空间观 8
2.1.1 力量感 9
2.1.2 节奏感 11
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