从陌生化的视角看张培基散文翻译作品中审美感的实现-外国语言学及应用语言学专业论文.docxVIP

从陌生化的视角看张培基散文翻译作品中审美感的实现-外国语言学及应用语言学专业论文.docx

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从陌生化的视角看张培基散文翻译作品中审美感的实现-外国语言学及应用语言学专业论文

essay, a carrier of Chinese culture, was translatable and worth translating. He insisted that literal translation could bring unfamiliar feeling and that literal translation was prior to free translation if the content of the source text can be completely conveyed without violating of the norm of the target language. Literal translation can introduce new and vivid words, syntax structures and expressions so that the target language can be enriched improved and fined. Zhang Peiji’s translation thought is connected with defamiliarization and is manifested in his translated works. Based on the Selected Modern Chinese Essays 4, the paper discusses the translation strategy of defamiliarization taken by Zhang Peiji to realize the aesthetic feeling in terms of selection of materials, formal aesthetic value, non-formal aesthetic value and culture. It is demonstrated that the defamiliarization translation strategy is feasible and the perspective of defamiliarization is supplied to the study of Zhang peiji’s essay translation. It is valuable for the later study of essay translation. KEY WORDS: Zhang Peiji, Translation of Chinese Essay, Defamiliarization, Aesthetic Feeling Contents 摘要..................................................................................................................................... I Abstract ............................................................................................................................. II HYPERLINK \l _TOC_250028 Introduction 1 HYPERLINK \l _TOC_250027 Chapter 1 Overview of Defamiliarization 5 HYPERLINK \l _TOC_250026 Defamiliarization 5 HYPERLINK \l _TOC_250025 The Origin of Defamiliarization 5 HYPERLINK \l _TOC_250024 Introduction of Defamiliarization 6 HYPERLINK \l _TOC_250023 Aesthetic Feeling Caused by Defamiliarization 10 HYPERLINK \l _TOC_250022 Defamiliarization and the Author’s Pursuit of Aesthetics 10 HYPERLINK \l _TOC_250021 Defamiliarization and the Reader’s Expectation of Aesth

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