浮雕中的色彩运用-雕塑专业论文.docxVIP

中国美术学院一雕 中国美术学院一雕塑5系一缪声远…浮雕中的色影运用 中国美术学院一雕塑系一樱声添一浮雕中的色影运用 中国美术学院一雕塑系一樱声添一浮雕中的色影运用 摘要 雕塑的历史在很大程度上可以被看作石雕、木雕和铸铜雕塑的历史，它们以 材质的特性及丰富的表现力丽成为雕塑，最适宜的材料，但其实雕塑中的色彩 是一个长久以来被我们忽略的重要的表现因素。这个色彩包括雕塑本身的质感、 肌理和色洋给人们视觉的直观感受，也包括另一种色彩，即雕塑表面的敷色。综 观世界雕塑史，中西方都有过在雕塑表面大量敷色的阶段。 雕塑中的降雕，兼有给酬的早面性和雕塑的实体空间性，又区别于平而造型 与立体造型，是介于绘画和雕塑之间的一种独特的造型艺术形式，融合绘画与雕 塑两者的表现优势。因此色彩在浮雕中的运用会使其更具表现力。历史上的各大 文明古国，毫无例外的都有精彩的彩色浑雕珍品流传于世。文章通过对中外敷彩 捋雕的回顾，再结合当代的敷彩浮雕实例和自己的创作实践，提剧色彩与浮雕的 材料、光线、营造的氛围等因素结合的运用。 文章证来塑与给本就同属一脉，其理相遇，相得益彰。碎雕创作 与色彩运用结合，在继承传统的基础上也符合现代社会人们审美观和多元的精神 需求。浮雕多元化是应时之需，也是必然，色彩就是这多元化中最直接也最迫切 的…元。 【关键词】浮雕色彩运用 PAGE PAGE 4 PAGE PAGE 3 Abstract A large extent，the history of sculpture can be seen 制 stone，wood and bronze sculptures of history，they become the most suitable material is caused by their material characteristics and rich expressive sculptures ，but in fact there is an important performance factors of sωlpture have been negl叫ed by us for a long time - that is tint utilization. The tint of sculpture including the texture color，texture and color to pωples intuitive visual experience，there is another tint ，sculptures surface coloration.Making a ∞mprehensive survey around the history of world sculpture， Chinese and westem both have the stage which is put the coloration on the scupl阳re surface. Sculpture in relief， has both of painting planarity and sculpture entity spatiality，is between painting and sculpture，a unique form of plastic artbut also different 仕om the graphic and three-dimensional shape，contain the advantage of painting and sculpture， the performance advantage. Therefore，the use of color in the relief would make it more expressive，the role of which also appears in the delicate and irreplaceable. The history of the m句or ancient civilizations，without exception， these are wond町M embossed treasures with color are spread in the world. Articles drew a line for us is the review of application of tint in the relie汇combined with contemporary examples and own relief creativity practice，pr