当代插画的多维创作理念与表现方式研究-设计艺术学专业论文.docxVIP

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当代插画的多维创作理念与表现方式研究-设计艺术学专业论文.docx

当代插画的多维创作理念与表现方式研究-设计艺术学专业论文

Abstract Compared with the previous situation, there’s a trend that the comprehensive, integral ideas are widely used in this rapidly changing society. The mutual assistance among many subjects has become the important way when dealing with matters and illustration alike. This Paper mainly analyzes illustration with four main aspects, including multidimensional creation concept, multidimensional subjects, multi-form and the multidimensional exhibition. The analysis of multidimensional creation concept mainly focused on commerciality, commonweal and technicality. Then I’ve introduced the manifestation of illustration in technology disciplines and literary works. The prominent breakthrough of the Paper is the difference with traditional investigative methods of illustration. The Introduction of the progressive and advanced knowledge of science and its connection with art are so innovative. The emphasis on later process, the design of supporting surroundings and the interactive communication are also particular in illustration study. Key words: HYPERLINK /w/illustration/ Illustration HYPERLINK /w/creation/ creation;Multidimensional creation concept; Multidimensional expression 目 录 引言······································································································· 1 第 1 章 插画的多维创作视角······································································· 2 1.1 商业性创作视角·················································································· 2 1.1.1 商业插画的特征··············································································· 2 1.1.2 商业插画的功能作用········································································· 2 1.2 公益性创作视角·················································································· 3 1.2.1 公益插画的特征··············································································· 3 1.2.2 公益插画的功能作用········································································· 4 1.3 学术性创作视角····························

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