京剧脸谱的视觉符号研究,以“花脸”为例-设计艺术学专业论文.docxVIP

PAGE PAGE VI ABSTRACT Peking opera was elected on the protection list of worlds intangible cultural heritage in 2010. Peking opera makeup, as an important part of the visual stage, got more attention. There are two face types in Peking opera makeup: “ugly makeup” and “beautiful makeup”. People like the first one by the variety of pattern, color, position, material, technology, structure and so on. So far in nineteenth Century, Peking opera makeup has been developed and innovated. However, this traditional art showed a stylized solid state in the contemporary context. Facing with this weakness, we started to research on visual symbols of Peking Opera mask. Firstly, Combing it history and types to improve the cognitive of Peking opera makeup’s visual symbol elements, then getting the further knowing about face pattern, color, craft, material, structure, the spatial relationship between them ontological connotation and four specific performance in the design :the first, how to using the varieties of Peking opera makeup’s spectral type in costume design; the second, how to improve the color of Peking opera makeup in decoration design; the third, the dimension of relevance with the visual signal of Peking opera makeup; the fourth, how to using “Hua Lian” module psychology of spatial relationship to designing the newspaper layout. Basic on Symbolic visual function and correlation. Finally, according to the face symbolic analysis and properties is summarized, daring to Peking Opera face symbol in the current application of the functional fixedness problem put forward three solutions. Key Words：Mask of Peking Opera; painted face; visual symbols PAGE PAGE 10 硕士学位论文 目 录 摘 要 . III ABSTRACT . V 第一章 绪论 . 3 1. 1 研究背景 . 3 1. 2 研究目的及意义 . 5 1. 3 研究现状 . 6 1. 4 研究方法 . 7 1. 4. 1 文献查阅与社会考察相结合的研究方法 . 7 1. 4. 2 视觉符号学方法 . 7 1. 4. 3 个案与综合的研究方法 . 8 第二章 京剧脸谱综述 . 9 2. 1 戏曲脸谱概述 . 9 2. 2 京剧脸谱的扮相：俊扮与丑扮 . 9 2. 3 京剧“花脸”的界定 . 10 2. 3. 1 净角扮相的由来及其谱式特征