姜夔词调音乐的风雅品格-音乐学专业论文.docxVIP

姜夔词 姜夔词调音乐的风雅品格 IV IV The Elegant Quality of Jiang Kui’s Poetry Music Abstrat Ci-poetry music of Jiang Kui in general has an artistic style which uses elegance to make up vulgarity, makes the vulgarity be elegant. And it can also be called as artistic quality. The special historical and cultural background of Southern Song Dynasty and the thought of Song learning were the thought source and historical cause of the formation of its artistic quality, which was mainly expressed as the facilitating and promoting function of the ideological trend of the revival of elegance in Southern Song Dynasty, and the important enlightenment of the thought of Song learning to Jiang’s poetic music, also the artistic music view reflected by his ideas about music. The application of his theory to his Ci-poetry music was mainly expressed on the arrangement of the tune and the creations of the rhyme of Ci in his music collection “Songs by Taoist Baishi. The artistic quality pursuing of the tune in “Songs by Taoist Baishi respectively represented as the elegance in three aspects —— the tune structure, the mode arrangement and melody. The elegance of its tune structure embodied in the flexible use of different music performance methods to the Ci-poetry music works. Mainly there were the “change the beginnings” technique, which had changes in preciseness; the “unite the endings” technique, which pursued the consistent; and the logical phrases in series. All of these were in order to achieve the elegant effect, which was “precise but have changes, change but echos”. The elegance of the mode arrangement embodied in the consistent of the modes, to perfect the unity of the work mode, so as to achieve the elegance effect of the mode arrangement. The elegance of melody embodied as putting the elegant musical scale into the vulgar music composition, that is, the skillfully unification of conjunct and disjunct in melody. The artistic quality pursuing of the rhyme of Ci in “Songs by Taoist