从声乐表演艺术视角看民族声乐演唱学科的发展.pdfVIP

唱法，培养其“乐感”基础；第三，应参照《音腔论》校本课程的建设模式及经验， 编辑声乐美学校本教材，开设专门的声乐美学校本课程，并开设有关我国民间歌曲欣赏 的校本课程，以期强化、提升学生的音乐修养及综合性的文化素养，加深对于以《音腔 论》为代表的一系列声乐理论的理解和认识；第六部分为结论，对本文的观点进行归纳、 概括和总结。 关键词：《音腔论》；依字行腔；对比统一；乐感；声乐教学 Ⅱ 万方数据 Abstract researchithas anumber the ofthenationalvocalmusic emerged Sincefounding theory Mr．Sheninthe work．Whereincontact of research earlyeighties， uniqueviews，insightful Chinesevocalmusic thesis”sound canbesaidtorevealthe published chamber”theory,it tothewordline lawtreatise．The fromtheoreticalof cavity”model a pointview,”according thevariousof of”sound parts Works forwardthe chamber”，revealing creativelyput concept music”soundchamber”withaccuracy the ofthe great charactersbetween syllables unified” asthe beabletO”Contrast chamber”theorypivot，we’11 cOITeS}pondence．A。。sound and folk inthe songsinging methods，theoreticalpractice law,”musical”culture perspectives to other ofthe together treatment and