罗永辉琵琶作品《千章扫》音乐分析-音乐学专业毕业论文.docxVIP

摘 要 琵琶音乐是丰富多彩的，当代创作则更加注重对于乐器新音色与演奏技巧的再挖 掘。香港现代作曲家罗永辉，在面对中国传统民族乐器、传统文化元素、中国艺术思想 等诸多创作源泉时，将中国音乐与西方现代作曲技术理论相结合，自内而外开创出属于 他个人的一种现代中国精神。本文选取了罗永辉 1997 年创作的琵琶独奏曲《千章扫》 展开论述。全文共分为三章： 第一章：《千章扫》乐曲整体概况； 第二章：《千章扫》的音乐形态及演奏技法分析； 第三章：《千章扫》音乐与草书艺术的类比。 在对这部作品进行音乐分析时，笔者一方面要通过理性而精细的分析，同时又要探 究作品所处的社会时代背景与人文背景，以及作品中隐射的主体意念。中国现代音乐作 曲家在作品创作中集体表现出一种强烈的寻根意识——对中国民俗、宗教和神秘的感 知；对中华民族文化（从历史、哲学、诸家到神话、传奇、书法、绘画等）各层面的深 入理解；对中国山水意境的苦苦追求；以及音乐创作与现实生活的结合等，都使他们的 音乐创作带有难以割舍的中国情结。 关键词：罗永辉，《千章扫》，音乐分析，草书艺术 I ABSTRACT ，Pipa music is rich and colorful，Is more emphasis on the contemporary creation of new sounds for musical instruments and playing techniques of re-mining Hong Kong Modern composers Luo Yonghui, in the face of Chinese traditional musical instruments, traditional culture, Chinese art, and many other creative sources of thinking, it will be Chinese and Western music theory combined with modern composition techniques, from the inside out to create one that belongs to his personal species of modern Chinese spirit. This paper selects the Luo Yonghui 1997 pipa solo creation, A Thousand Sweeps to start ， discussion。Paper is divided into three chapters： Chapter 1: A Thousand Sweeps an overview of music Chapter 2: A Thousand Sweep and playing techniques of musical form. Chapter 3: A Thousand Sweeps the analogy of music and cursive art Musical works on this analysis, the author the one hand, through rational and accurate analysis, while also explore the works social background and cultural background, and the works of the main ideas in the hint. Chinese music at home in the collective works of creation show a strong sense of roots - to the Chinese customs, religion and mystical perception; of the Chinese culture (history, philosophy, all home to the myths, legends, calligraphy, painting etc.) in-depth understanding of all levels; on the hard in pursuit of artistic conception of Chinese landscape; and music combined with real life, have to make their music hard to break away with the China complex. KEY WORD