马祖常题画诗分析-中国古代文学专业毕业论文.docxVIP

I I 摘 要 摘 要 元代少数民族诗人马祖常是元代文坛上的重要人物。其诗文的艺术成就很高，被许 多人所推崇，但对其题画诗的研究成果却少之又少。本文以马祖常的题画诗为研究对象， 进而反映其整体上的创作特点。本文分别在内容上、思想上、风格上对马祖常的题画诗 进行仔细研究，从而得出其创新之处。 马祖常存世的八十余首题画诗十分出色。诗人对各种诗歌形式均有大胆的尝试，其 体裁完备而又非常丰富。他题画诗中的古诗和律诗音韵和谐流畅，意境高远含蓄。他题 画诗中的绝句数量最多，篇幅虽精悍小巧，艺术魅力却是无与伦比的。更为值得一提的 是，马祖常创作有两首骚体题画诗，一首是《华清宫图》，一首是《九成宫图》，这在整 个元代题画诗坛甚至是整个中国古代题画诗坛中都是十分罕见的，显得尤其珍贵。 马祖常题画诗的题材内容十分广泛，其中包含了人物、山水、走兽、花鸟等等多个 画科。诗人以自己独特的审美眼光对画面进行细致的观察之后，用精炼优美的语言将其 诗化，这样不仅赋予了画面崭新的生命力，还为其增添了更为深刻的文化内涵。 其题画诗中处处体现出了诗人思想的深刻性和复杂性。虽然是少数民族，马祖常却 精通汉学，推崇传统的儒家思想，被誉为一代巨儒，他那种“先天下之忧而忧，后天下 之乐而乐”的情怀真挚动人。此外，马祖常与道士方士多有往来，唱和之作颇多。其思 想中吸收有儒、道两家精华的倾向，也是其题画诗广博多彩的重要原因之一。 马祖常题画诗的艺术特色主要体现在其诗歌结构的完整而清晰，创作中运用了丽而 有章的笔法，并达到了一种虚实兼顾的意境，体现出其近古而不泥古的追求。另外作为 少数民族诗人，马祖常的题画诗中还体现出了少数民族的异域风情，带给了读者独特的 艺术享受。 由此可以看出，无论在思想内容上，还是在艺术特色上，马祖常的题画诗都达到了 极高的水平，为五彩缤纷的元代题画诗坛增添了一抹独特的亮色。 关键词 马祖常 题画诗 艺术研究 Abstract Abstract Ma ZuChang who was a minority poet in the mid-late Yuan dynasty was the important characters in the literary world. The artistic achievements of his poems were highly valued by many researchers, but research results of his poems with drawing are rare. Based on MaZuChang’s poems with drawing as the research object, and then reflect its overall composing characteristics.To make a study of the MaZuChang’s poems with drawing respectively in content, ideological and style, thus I draw his innovative points. First, more than 80 MaZuChang’s poems with drawing are outstanding. He was boldly attempt to form in all sorts of poetry. So its genre is complete and very rich. His ancient poems and poems of eight lines are harmonious and fluent, its atistic conception is farsighted and implicative. Its artistic charm is unparalleled although they are very pithy. More to the point, MaZuChang had created two poems of the Li Sao style, one is “The picture of Huaqing palace” ,and another one is“The picture of Jiucheng palace”.Which is very rare and especially valuable in the yuan dynasty poets and even in the whole ancient China? The theme of MaZuChang’s poems is very exten