梁宗岱新诗形式理论研究-文艺学专业论文.docxVIP

赵艳利：梁宗f捧新诗形式理论研究中文摘要 赵艳利：梁宗f捧新诗形式理论研究 中文摘要 新诗形式问题一直是中国新诗诗人和诗学家们关注的一个极为重要的问题，不 但新诗的发生是从形式(语言)开始的，而且在近百年的新诗发展中，诗人和诗学 家们兴起了各式各样的新诗形式探索的浪潮。梁宗岱便是其中之一。作为现代诗学 理论的一个极为重要的方面，梁宗岱对新诗形式作出了富有意义的探索。但遗憾的 是，至今为止，学界对其新诗形式理论的研究仍是零星一点，显得十分琐碎。基于 此，本文将对梁宗岱的新诗形式理论作如下探讨： 引言部分，对梁宗岱及其新诗形式论的研究现状作一个简要的梳理与分析，概 述选题价值和意义所在。 第一章，将梁宗岱还原到当时的历史语境中，阐述其新诗形式理论的形成。新 诗运动是其理论形成的诱因，西方象征主义及中国古典诗歌传统是其思想资源，新 月派则加速其理论的形成并使之系统化。 第二章，阐述梁宗岱新诗形式理论的主要内容。包括四个方面：其一，“形式 是一切艺术底生命”；其二，新诗的语言与意味；其三，“诗应该是音乐的”；其四， 诗应该是“一幅甘芳歌舞的图画”。形式是总纲，统摄新诗的语言、音乐性及绘画 美。梁宗岱通过对新诗的语言、音乐性及绘画美的探讨，确立了中国新诗的诗性品 格，拓展了中国新诗丰富的生命形态。 第三章，对梁宗岱的新诗形式理论的意义作简要思考。 关键词：梁宗岱新诗形式语言音乐性绘画美 2 2 扬州人学硕：f--7-’位论文 Abstract The form of modern poetry has been a very important issue concerned about by Chinese poets of modern poetry and Chinese poetry scientists．The occurrence of modern poetry is not just confined to the form(1anguage)．Besides，more and more poets and poetry scientists have flocked to quest for varieties of poetry forms in the last a hundred years’development of modern poetry．Liang Zongdai is one of them．As all extremely important aspect of modem poetry theory，Liang has made a meaningful exploration on the form of modern poetry．Unfortunately,SO far,the academic study of his theory concerning modern poetry in the intellectual community is still a bit sporadic，which seems extremely trivial．Based on this，this paper will investigate the theory of the Liang’S Poetry form．The following are： The introduction analyses and cards the present research situation of Liangs modem poetic forms briefly and overviews the value and significance oftopics． In the first chapter,Liang is restored in the historical context at that time to explain the formation of his theory of modern poetic form．Poetry movement is the incentive of the formation of his theory．In addition，western symbolism and traditions of Chinese classical poetry is ideological resources．The Crescent Moon faction accelerates the formation of his theory and makes the theory systematized． The second chapter il lus