论海子诗歌中的西方资源及其意义-中国语言文学;比较文学与世界文学专业论文.docxVIP

论海子诗歌中的西方资源及其意义-中国语言文学;比较文学与世界文学专业论文.docx

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摘要摘 摘要 摘 要 在中国当代诗坛,海子是一位颇具影响力的诗人。本文主要探究海子诗歌中 的西方资源,以及这些西方资源对海子诗歌主题、意象内涵与艺术风格的决定意 义。本文以海子诗歌深味荒凉、体验虚无、史诗超越的思想历程为线索,将全文 分为三个部分:第一部分探讨海子受到梭罗、叶赛宁等西方浪漫主义诗人的影响, 形成了发现自我、拷问苦难的存在意识。第二部分论述在存在主义诗与言观点的 影响下,海子把握了体验虚无的诗歌本质,并学习荷尔德林道浼本质的语言与西 方后印象画派注重体积的画风,形成“从景色进入元素”的诗歌语言观,创作出 具神性意味的独特语言。第三部分论述海子在史诗中尝试超越及超越失败的原 因。海子选择西方的超越方式,以史诗为载体实现超越理想。海子吸收黑格尔、 但丁、歌德的史诗经验,确立史诗是一次个体与原始力量相融合的诗歌行动,并 在形式上模仿《浮士德》的诗歌节奏,借鉴了《圣经》的文体构成,形成统一和 谐的史诗结构。海子超越失败的原因,一是由于中国传统文化史诗精神的先天性 缺失所导致,二是由于海子诗歌中东西方精神不可调和的矛盾所决定。 关键词:海子;西方资源;影响;意义 AbstractAbstract Abstract Abstract Hai Zi is all influential poet in contemporary poetry arena.This thesis explores the western resources in the text of Hai Zi’S poetry and analyses the significance of these resources to poetry theme、imagery connotation and artistic style of his poetry. Based on the Hai Zi’S ideological course in his poetry,which includes three stages of tasting desolate deeply、experiencing nothingness and transcending in epic,this thesis has been divided into three pans.The first part explores that under the influence of Thoreau,Yecenin and other western romantic poet,Hai Zi has formed his own existentialism thought which contains discovering self and thinking exists.The second part discusses that under the influence of existentialism,Hai Zi has realized the duty of poet is to experience nothingness in his poetry,and through learning the language viewpoint of Hlderlin and the style of the western latter impressionist school, Hai Zi has viewed the language of poetry must be from the view into element and then created unique divine language in his poetry.The third part of this thesis analyses Hai Zi’S effort to transcending in his epic and the causes of the failure of this effort. Hai Zi chooses the western transcendence way to realize his poetry ideal in his epic. Having absorbed the epic experience of Hegel、Dante and Goethe,Hai Zi considered that all We is just a poetry action which combining individual and raw power.Trough imitating the poetry rhythm of Faust and th

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