论歌剧《梦蝶》中多元音乐及道教 思想的融入-音乐与舞蹈学专业论文.docxVIP

万方数据 万方数据 Abstract Based on modern music creation techniques and traditional music forms of mutual integration, with a unique works of contemporary Chinese opera as the research object, the observations of the traditional opera music and fusion of Chinese and western all kinds of music elements, to the fusion of western classical music technique and modern composition techniques and gives the traditional art form with new style. Through the analysis of the traditional and modern elements, and to explore the hope can unearth more diverse music creation techniques and means, provide strong theoretical basis for future research on music. In related to the work at the same time of Taoist thoughts and the exploration of the humanistic value, in order to kunqu opera butterfly dream wind have further understanding of the artistic value. The core content of the full text includes: the first chapter mainly discusses the opera music in traditional opera music elements into and reflected; In the works of the second chapter is a hybrid of Chinese and western instruments, music form and structure of element are analyzed; The third chapter mainly discusses the work of source text, innuendo and explore the concrete embodiment of Taoism. Key Words: New Kun Opera JIA Da-Qun Fusion of Chinese and western elements Music composing techniques The Taoist ideas II 目 录 绪 论 …………………………………………………………………………………1 第一节 选题缘由及意义………………………………………………………1 第二节 研究综述………………………………………………………………1 第三节 关于《梦蝶》…………………………………………………………3 第四节 同类题材的作品概述…………………………………………………3 第一章 中国传统音乐元素的融入…………………………………………………5 第一节 昆曲程式的承袭与运用………………………………………5 一、 曲牌的变化沿用……………………………………………………5 二、 调式唱腔的变化借鉴………………………………………………7 三、 节拍板式…………………………………………………………10 第二节 其他戏种元素的融入……………………………………………10 一、川剧元素的运用 ……………………………………………………10 二、京剧韵白元素的运用 ………………………………………………14 第三节 笙和笛的和弦架构………………………………………………15 第四节 民族乐器的融入…………………………………………………18 第二章 西方作曲技法的交融……………………………………………………20 第一节 西洋管弦乐器与传统戏曲的交融 ………………………………20 一、西洋弦乐的频繁运用………………………………………………20 二、“洋为中用”的音色模拟………………………………………