论蔡明亮“作者电影”的风格-电影学专业论文.docxVIP

山东师范大学硕士学位论文On 山东师范大学硕士学位论文 On Cai Mingliang’S Style of Auteurism Abstract Cai Mingliang,one of the most fruitful directors in the film industry of Taiwan and one of the most unique film authors in Taiwan and even in the world as well，has made great contributions to diversifying and renovating Chinese film forms by innovating film languages and exploring for film styles SO as to further promote Chinese films into the world．Cai has been focusing on personalize creation and sticking to the theory of autcurism．This thesis，on a basis of the ideology of“author’S film”，probes into Cai’S peculiar film style． The first part summarizes Cai’S peculiar film time—space concept．The time in Cai’S films。deeply influenced by post—modernism，is the stable“present tense”， utilized as a tool to convey the sense and represent the reality，The space in Cai’S films is more or less characterized by its theatricalism because Cai Was engaged writing dramas in his early stage of creation．However，the utilization of sound and crossing of picture on the other hand represents the openness of time。space． The second part gives an accound of the non-dramatic narrative structure in Cai’S films．Cai，rejiecting the Hollywood’S classical narrative mode，canceling the contradiction and confiict and weakening the story plot,employs simple and parallelized montage method in making films，demonstrating a character of being economical and simple．Several humorous details，opening ending and ending part’S echoing to the beginning part all represent the character of economy in film structure and peculiarity in construction． The third part deals with the utilization of long lens．The most frequently utilized method in Cai’S films is depth of field，in which the non-zooming and characters’rich field of depth．and the“eye—Oil’’field of depth is Cai’S preference．Cai， different from HouXiaoxian，who prefers fixed long shot，more often employs the close shot of the characters，revealing their living condition．Comprehensive flu