论中国人物画原创性的意义-中国画创作研究专业论文.docxVIP

万方数据 万方数据 摘要 纵观中国人物画的创造历程，人物画由最初的简单符号发展到当今题材多样、技法丰 富的绘画，这一系列的发展变化都是历代画家不断积累、不断创造的结果。美术史只记述 改变一代风尚的画家，历史上所记述的著名画家无不是在自己艺术上具有独创性的，那些 具有原创性的绘画才有着较高的艺术价值，而简单的模仿只会被历史所淘汰。南宋的梁楷 和近代的徐悲鸿是中国美术史上尤为典型的原创性画家，梁楷独创的减笔画使绘画有了工 笔与写意之分，丰富了绘画的表现风格。20 世纪的徐悲鸿更是一位划时代的画家，正是由 于徐悲鸿将西方传统绘画中素描造型引入中国画中，使中国人物画在造型严谨的基础上更 好的表现人物形象的内在特征，打破了原来的模式化特征。 本文共分成三个章节，引言部分说明本文的研究意义和特点，提出自己的观点，第一 章中说明什么是绘画的原创性以及影响绘画原创性的因素，提出原创性的意义这一论点。 文章的第二章从中国历史上人物画的创造性的发展进行概述，从纵向时间上来论述每个时 期的人物画创造，发现美术史记述的都是具有自己独特原创性的绘画作品，从而加以论证 人物画的原创性这一观点。最后一章以梁楷、徐悲鸿两位具有典型原创性的画家为例，从 画家生平经历、独创性的绘画风格特征对原创性进行分析论述，并通过阐述他们在绘画上 的原创性给当时的人物画画坛带了的巨大影响，来进一步说明人物画原创性的意义。 文章最后通过结合自己的绘画创作来进一步探寻原创性的重要意义。我们应该重视人 物画原创性，要在积累和学习中不断创新，把对生活的真实感受融入到自己的绘画创作中， 找到属于自己的绘画的原创性。 关键词:中国人物画;原创性;原创性的意义;梁楷;徐悲鸿 II ABSTRACT Throughout the creation of Chinese figure painting, figure painting from the original simple symbols development to the variety of subjects and rich techniques of painting today, this a series of development and changes are traditional Chinese painters to accumulate, the result of the creation. Painter, art history only account change generation fashion all the notes in the history of the famous painter is on his art originality, the original paintings have high art value only, and simple imitation will only be eliminated by history. Liang Kai of the southern song dynasty and the modern of XU Beihong is typical of the original artist is Chinese art history, Liang Kai original reduced stroke causes the painting with fine brushwork and freehand brushwork, enrich the performance of painting style. Painter XU Beihong is a landmark in the 20th century, it is because of XU Beihong introduces western traditional painting sketch modeling in traditional Chinese painting, Chinese figure painting in modelling the rigorous better performance on the basis of the inherent characteristics of the characters, breaking the original style characteristics. This paper was divided into three chapters, the introduction part explains in this articl