论中国文人画意趣在油画中的体现-美术学专业论文.docxVIP

摘要 摘要 万方数据 万方数据 摘要 油画“民族化”一直是中国油画一个较大的课题。本文是以文人画的意境和 趣味作为切入点来谈油画“民族化”问题。中国油画“民族化”经历了艰苦而漫长 的过程。油画家、学者想尽办法来解决这个历史性难题。然而油画创作不仅仅 是一个技巧性的问题，它更多涉及了精神内涵、画家修养、人文气息、时代特 征等内容。因此，油画在中国“民族化”过程之中模仿、重建、创新是其中不可 避免的问题。当代的油画家就在这其中不断地探索，寻追艺术的真谛。文人画 中“写胸中逸气”符合当代中国油画家的审美趋势。所以，油画家尝试将文人画 的精髓以油画的形态重新呈现在画布上，达到了全新的艺术效果。文人画中的 意境和趣味是古代文人墨客胸中飘逸思想的写照。这些看似不经意的笔趣墨舞 却非常好的表达了画家的心声。这些笔趣墨舞在油画家的心中就是民族的最好 的承载与体现。 关键词：中西融合、人文画、意境、趣味、民族性、传承 2 Abst Abstract ABSTRACT The nationalization of oil painting has been a big problem for Chinese oil painting. This paper is about the nationalization of oil painting based on the artistic conception and interest. Chinese oil painting experienced hundreds of years of nationalization process. Generations of Chinese oil painters make efforts to mix both Chinese culture and western culture. However, the creation of oil painting is not only a technical problem. It also invloves the spiritual connotation of self-cultivation, culture and characteristics of the times. Therefore, it is inevitable for Chinese oil painters to imitate, reconstruct and innovate. Contemporary oil painters explore to seek the true meaning of creation. Oil painters try to make the essence of humanistic paintings and oil painting appear in the canvas, thus achieving a new artistic effect. The artistic conception and interest of humanistic painting represent elegant portrait of ancient men. The humanistic painting is the best national inheritance and reflection. Key words: the fusion of Chinese and Western, humanistic painting, artistic conception, interest, nationality, inheritance. III 目录 目录 目录 第 1 章 引言 .................................................................................................................5 第 2 章 中国文人画 .....................................................................................................1 2.1 文人画的起源 .................................................................................................1 2.2 文人画的发展 ...................................