宋元时期的山水画题跋研究.pdfVIP

华东师范大学硕士学位论文 摘 要 本⽂以宋元⼭⽔画题跋作为研究对象，主要围绕着绘画题跋本⾝的写作特点、 宋元⼭⽔画与题跋的图⽂关系、宋元⽂⼈写作和⾃我⾝份认知等关系展开，主要 分为四个章节：第⼀章对宋元⼭⽔画发展情况进⾏简要介绍，并梳理⼭⽔画题跋 写作的历史背景，展⽰⼭⽔画题跋的写作场景和缘由。第⼆章以⼭⽔画题跋的⽂ 本作为重点，分别从与画作相关、与画家相关、以及与题跋者相关者三个⽅⾯对 题跋的内容进⾏分类。第三章是对⼭⽔画题跋的写作形式进⾏分析，通过对不同 题跋者对画作的不同关注焦点和视⾓的分析，以探求绘画题跋写作的⽂本构成和 写作形式。第四章以题跋的写作者为关注对象，提出绘画题跋的书写是⼠⼤夫⽂ ⼈的⽂化交流活动 ，题跋的读者和作者具有类似的⽂化认同 ，共同通过题跋写作 构建出了⼠⼤夫⽂⼈阶级的审美趣味。 关键词：宋元 山水画题跋 士大夫 华东师范大学硕士学位论文 Abstract This article takes inscription of Song and Yuan dynastys landscape painting as the research object, mainly focusing on the characteristics of the paintings writing, the graphic relationship between Song and Yuans landscape and inscription, and the relationship between Song and Yuans literati writing and self-identity recognition. This article is divided into four chapters .The first chapter briefly introduces the development of Song and Yuans landscape paintings, combs the historical background of landscape paintings ’ inscription, and shows the writing scenes and reasons of inscription. The second chapter focuses on the texts of inscription of landscape painting and classifies the content of the subject and post from three aspects: painting, painter, and writer of the inscriptions. The third chapter is to analyze the writing form of the inscriptions. Through the analysis of the different focus and perspective of different subjects on the painting, to explore the text composition and writing form of the inscriptions. The fourth chapter focuses on the writers of inscriptions and postscripts, and proposes that the writing of inscriptions and postscripts is a cultural exchange activ