贺绿汀音乐创作批评思想研究.pdfVIP

摘要 摘 要 贺绿汀作为我国现当代音乐史上一位个性鲜明的音乐批评家，其批评涉及 音乐创作、音乐教育、音乐表演等诸多领域。笔者选择贺绿汀对音乐创作领域的 批评文本作为研究对象，运用辩证唯物主义与历史唯物主义的研究方法，以探寻 其音乐创作批评思想内涵为研究目的。 贺绿汀的音乐创作批评思想经历了三个时期，每个时期均有着不同的核心 内涵。战争时期，贺的创作批评思想以“民族性”为核心，强调创作内容上要反 映救亡图存的民族精神，创作形式上要具有民族风格。新中国建设时期，贺的创 作批评思想以“技术性”为核心。他认为当时歌曲创作存在的主要问题是“一般 化”，交响乐、歌剧创作存在的主要问题是 “简单化”，而出现这些问题的主要 原因是作曲者创作技术的缺乏。因此他不仅匡正了人们思想上对技术的错误认 知，并努力为技术学习扫清障碍。改革开放新时期，贺的创作批评思想以“人民 性”为核心，认为音乐创作要以服务人民与提高人民为宗旨。通过对各时期的梳 理分析，笔者认为贺绿汀创作批评思想的本质内涵是创作要具有时代内容与民族 形式。 通过对贺绿汀音乐创作批评思想发展脉络梳理以及本质内涵的探究，笔者试 图从音乐创作批评角度对贺绿汀音乐思想体系的研究做进一步完善。另一方面， 笔者也希望通过对本课题的研究为当下音乐创作、音乐批评的进一步发展与繁荣 提供现实意义。 关键词：贺绿汀；音乐批评；音乐思想 I Abstract Abstract He Luting, as a distinctive music critic in the modern and contemporary music age of China, delivered a variety of criticism, covering music creation, music education,andmusicperformance.In thepaper,HeLutingscriticaltext in the field of music creation was taken as the research object, and the methods of dialectical materialism and historical materialism were used to explore the connotation of his criticalthought ofmusiccreation. He Lutings music creation criticism thought has experienced threeperiods, each period has different core connotation. During the Anti-Japanese War, his creative criticism thought adhered to national character as the core, emphasizing that the content of music creation should reflect the national spirit of saving the nation from subjugation and ensuring its survival, and the form of music creation should have the national style. During the period of new Chinas construction, Hes creative criticism thought was largely based on technicality asthe core.In hisview,themain problem of the creation of songs at that time was generalization, and the main problem of symphony and opera creation was s