静静的灰——莫兰迪绘画的精神气质和语言表现.pdfVIP

目录 中英文摘要及关键词···········································（1） 前言·························································（2） 第一章 再看莫兰迪············································（3） 第1节 生活在波洛尼亚的苦行僧······························（3） 第2节 记忆中的 罐罐····································（3） 第二章 影响莫兰迪艺术风格诸多因素····························（4） 第1节 印象主义影响········································（4） 第2节 立体主义风格········································（4） 第3节 形而上画派··········································（5） 第三章 艺术表现的语汇特征····································（6） 第1节 简约造型············································（7） 第2节 空间错位············································（8） 第3节 孤独的灰色··········································（8） 第4节 东方情怀（莫兰迪作品中的东方意味与文人情 结）················································（9） 第四章 结语（“我”对莫兰迪的解读）·························（10） 结论························································(10） 参考文献····················································(11） 致谢························································(12） 摘要：莫兰迪的一生沉迷过印象主义，模仿过立体主义，加入过形而上派。在经过一番学 探究之后找到了属于自己的艺术道路，开始展示属于他的艺术语言。他的一生简洁简朴，不追逐 任何功名利禄，不难发觉他将简朴的自己带进了作品，在他的画面中，那些 罐罐始终保持它 们应有的模样，没有富丽堂皇的背景，没有沧海桑田的印迹，只是单纯的存在着。时过境迁，物是 人非，依旧那般平凡、卑微的存在着的只有莫兰迪的瓶子，虽谦卑却也逐渐显露出庄严。莫兰迪 与他瓶子物我相忘所呈现的意境，恰好与中国古代的文人墨客的气质相符合。莫兰迪，似乎生来 就这般干净，画如其人这四个字就是莫兰迪最真实的写照。 关键词 ：莫兰迪 精神气质 绘画风格 中国传统画 Abstract: Giorgio Morandi indulged in impressionism, imitated cubism, and joined metaphysics. After some study and exploration, he finally found his own art path and began to display his art language. His life is very simple ，and take the elegant self into his pictures, he let the bottles and cans as they should look, no gorgeous background, no impression of the times, return to bland and just live a pure life. Morandi and his bottle reached a state of ecstasy，exactly the same temperament as the ancient Chinese l