从“全国首届册页书法作品展”看当前展览意识对书法创作的影响.pdfVIP

摘 要 “全国首届册页书法作品展”是我国第一次完全以册页为展览形式的书法 展览，虽然在展览形式上是第一次，但它是上世纪八十年代以来，我国如火如 荼的书法展览的一次自然延伸。“全国首届册页书法作品展”从展览运作、展览 作品两个大的层面充分反映了当代书坛“取法广泛”和“形式至上”的展览意 识，对于当代书法的创作产生了广泛影响，其积极与消极因素参半。“全国首届 册页书法作品展”是上世纪八十年代至今中国书法发展全貌的集体呈现，它还 从评审方式、评委构成、形制形式特点、作品种类四个方面表现出与其他书法 展览的不同之处，对于当代书法理论研究和书法创作提供了重要的启示意义， 可以说，“全国首届册页书法作品展”是至今为止当代中国书法在书法的历史长 河中表现自己独有特点的最具有代表性的标志事件。 本文由四章组成，第一章是导论，陈述论文的研究方法、研究意义及主要 观点等；第二章探讨册页的简单历史和艺术特点，以此为认识当代册页书法的 发展状况提供参考信息；第三章是“全国首届册页书法作品展”的评审和展出， 从评审流程、展览开幕式、作品展示方式、展览作品介绍四个方面进行陈述， 展示“全国首届册页书法作品展”整个的运作过程；第四章从展览举办原因及 当代展览模式分析、册页展的评审机制、册页展作品的多元风格及其构成原因、 如何展示专题性展览几个部分全面思考“全国首届册页书法作品展”。 关键词：册页；展览意识；书法创作 I Abstract The first national exhibition of the album of calligraphy works was the first calligraphy exhibition, in which exhibition form is specially based on the album of calligraphy in our country. Even though it was the first time, it was also the natural development that is based on the hot calligraphy exhibition since 1980s. In the contemporary calligraphy area of China, some participants of calligraphy exhibition are excessively pursuing the surface of the calligraphy work and extensively learning all kinds of calligraphy form, which is reflected sufficiently by the operation and works of The first national exhibition of the album of calligraphy works. The first national exhibition of the album of calligraphy works had exhibited sufficiently various forms, different styles, appraisal ways, referees, and the surface of calligraphy works. The variety of calligraphy works is different from other calligraphy exhibition. We can learn that the thought of the contemporary exhibition how to impact the callig