古雅在中国美学上的位置.pdfVIP

中文摘要 “古雅”一词在我国传统的诗学、书学、词学、画学等文艺领域有着广泛的应用， 是一个富含中国学术生命特征的美学范畴。王国维曾发表著名的《古雅之在美学上之位 置》一文，本文即以王国维 “古雅”说的学理基础为出发点，但把着力点由王氏的一般 性理论论述转到对“古雅”在中国古典美学上之位置的论析。通过对中国传统文艺美学 领域中“古雅”范畴的梳理与分析，总结归纳出 “古雅”这一代表中国传统文艺主流审 美趣味范畴的超越性、人文性和气韵深远等核心内涵。 本文将分为三个部分进行论述。第一章主要讨论王国维先生的 “古雅”说作为 “第 二形式之美”的深刻内涵，并指出 “古雅”这个审美话语所富含的中国文艺生命特征。 第二章将超越王国维先生的纯学理论证，将 “古雅”这一审美范畴与中唐以来的中国诗 词学审美理论联系以来，并且向传统书画审美领域延伸，以期说明 “古雅”范畴在中国 传统文艺美学领域阐释的深刻性和普遍有效性。第三章在前两章的论述基础之上，总结 归纳出 “古雅”这一审美范畴的审美内涵。 关键词：古雅 超越性 人文性 气韵 I Abstract The word Gu Ya(means Classic Elegance) has been used in Chinese traditional literary and artistic field widely, such as poetics and studying of Ci, painting and calligraphy. It is an aesthetic category that with the soul of ancient Chinese academic characteristic. Wang Guo-wei had published the article named The Position of Gu Ya in The History of Aesthetic. This paper is based on the theory of Wang Guo-wei’s Gu Ya, but pays more attention on the analysis for the position of Gu Ya in Chinese classical aesthetic, not Wang Guo-wei’s general theory of Gu Ya, and summarizes the core connation of Gu Ya which represents the transcendence, humanism and deep inner energy of ancient Chinese mainstream aesthetic taste in Chinese traditional literature and art by combing and analyzing Gu Ya through Chinese aesthetic history. This paper is divided into three parts to expound. The first chapter mainly discusses the deep connation of Wang Guo-wei’s Gu Ya as “The second form of beauty”, and points Gu Ya’s vital character of Chinese literature and art out in aesthetic context. The second chapter transcends Wang Guo-wei’s theory, then connects Gu Ya with