从文化产业到创意产业—对于英国涵盖在“创意产业”方式下对于艺术和媒体政策形成的分析外文翻译.docVIP

本科毕业论文外文翻译 外文题目: FORM CULTURAL TO CREATIVE INDUSTRIES- An analysis of the implications of the “creative industries” approach to arts and media policy making in the United Kingdom 出 处: International Journal of Cultural Policy 作 者: Nicholas Garnham 原 文： Creative Industries Policy We can now return to the nature and validity of the implicit claims being made by the mobilisation of the term “creative industries” and their policy impacts. These can be reduced to two: that the creative industries are the key new growth sector of the economy, both nationally and globally, and thus, against a background of manufacturing sector decline, they are the key source of future employment growth and export earnings. This general line of argument stemmed from the original Making a Business of Information report, but it was then linked to more general work on the competitiveness of the British economy and, inspired by the work of management gurus such as Michael Porter, it fed into statistical work on the export earnings and potential of the cultural industries (British Invisibles 1991) and into both Myerscough’s (1988) study on The Economic Importance of the Arts in Britain and into the report by Gorham and Partners (1996) for the British Council entitled Export Potential for the Cultural Industries. It is from this strand of policy analysis that derives: 1、The measurement of the creative industries in the “Creative Industries Mapping Document”(DCMS 2001) and the associated claims that they now represent the fastest sector of economic growth; 2、the stress on the training of creative workers; and 3、the stress on the protection of intellectual property. This is the source of the view expressed in the Labour Party’s Create the Future that the cultural industries “are vital to the creation of jobs and the growth of our economy. The creative and media industries world wide are growing rapidly