蔡明亮电影孤独意识探析.pdfVIP

摘 要 摘 要 孤独意识是人类亘古不变的永恒命题，自古以来便吸引着无数的心理学家、 哲学家、艺术家对其进行种种描述与阐发。孤独意识作为人类独有的意识活动， 是主客体相互脱离而产生的一种深度的精神失落感，具体到艺术文本中，则表 现为创作者在作品中流露出的生命态度上的苍凉悲观、文化心态上的漂泊无根、 情感诉求上的孤苦无依等心理态势。 蔡明亮是台湾第三代电影导演中的佼佼者，和侯孝贤、杨德昌、李安并列 为当代台湾电影界的“四大名导”，是当代台湾乃至世界影坛最具个性和风格的 电影作者之一。他的电影以其强烈的作者风格而屡获影坛殊荣，对它的研究一 时间风起云涌。本文避开面面俱到的导演研究这一传统的研究路径，从孤独意 识这一视角切入，力图对蔡明亮电影做一番深刻且独具个性的解读。本文首先 剖析了孤独意识的内涵，接着探讨镜头、影调、色调、空间营造等影像表达问 题，继而揭示出产生孤独意识的内外因，最后阐发意义。蔡明亮把孤独意识视 为诊断时代及都市病症的“听诊器”，揭示出都市人痛苦内心体验和疏离人际关 系的实质，在敲响了世纪警钟的同时也预示出摆脱孤独的良策。 关键词：蔡明亮电影，孤独意识，内涵，影像表达 I Abstract Abstract The sense of solitude as an eternal proposition for human has been described and elucidated by countless psychologists 、philosophers and artists from time immemorial. The sense of solitude, which is a conscious activity for mankind only, is a deep sense of spiritual alienation caused by the separation of subject and object. In the artistic texts, the sense of solitude manifests the composers’ writing attitudes outpouring in their works including pessimism in the life attitude 、non-root condition in cultural mentality and loneliness in the emotional appeal. The title of “Four Famous Directors ” is composed by Hsiao-hsien Hou、 Edward Yang 、Ang Lee and Ming-Liang Tsai, who is an attractor of the third-generation directors in Taiwan. Most importantly, Ming-Liang Tsai is one of the most distinctive movie authors in the contemporary Taiwan and international film circles. His movies have gained huge attentions rapidly because of strong authors’ style and so many honors obtained in the various Film Festivals. Due to this, the researches on his movies