“托尼学说”和“魏晋文章”契合--论“个人-人道”思想下鲁迅“嵇阮情结”形成及创作体现.pdfVIP

“托尼学说”和“魏晋文章”契合--论“个人-人道”思想下鲁迅“嵇阮情结”形成及创作体现.pdf

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“托尼学说”与“魏晋文章”的契合——论“个人-人道”思想下鲁迅“嵇阮情结”的形成及创作体现 Abstract Under the integral synchronization structure of human culture, the thesis intends to take the couplet “Tolstoyism-Nietzschean Theory Wei-Jin Essays” as a whole, which was researched separately in the past, to support the connection between historical and real experiences in Lu Xun’s life. What the hypothesis is, why these two kinds of theories varying quite differently in time and space can impact the same person equally? Besides Lu Xun’s knowledge storage and rational choice, we can not ignore the deep connection between them. “Wei-Jin Essays” is not only the style of Lu Xun’s works, but also the style of his personality, specifically embodied in the “Wei-Jin Complex” during Lu Xun’s “ten-year silent period”. The reason of focusing “Wei-Jin” dynasty and having spiritual sustenance on “Ji-Ruan” is because of Lu Xun’s special lived experiences. In his childhood, the folk ghost culture in Zhedong area nurtured his sprite. The tension structure between “the natural ghost” and “the factitious ghost”, the thought basis which integrated Wu-Chang ghost’s individualism and Nv-Diao ghost’s humanism into a whole had both formed gradually in his young mind. When he grew up, in his youth the Satanic Poets’ which united evil nature with divine nature met the humanism of “Tolstoyism-Nietzschean Theory”. At last, in the silent period during the middle age, when Lu Xun returned back to the Chinese culture, he found the backup of his thought, the “Zhuling metaphysics” represented by Ji-Kang and Ruan-Ji, Which is to say, when he copied the characters on ancient monuments, Lu Xun not only assimilated the individualism and humanism in western culture, but also recovered the Wei-

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