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“托尼学说”与“魏晋文章”的契合——论“个人-人道”思想下鲁迅“嵇阮情结”的形成及创作体现
Abstract
Under the integral synchronization structure of human culture, the thesis intends to take the
couplet “Tolstoyism-Nietzschean Theory Wei-Jin Essays” as a whole, which was researched
separately in the past, to support the connection between historical and real experiences in Lu
Xun’s life. What the hypothesis is, why these two kinds of theories varying quite differently in
time and space can impact the same person equally? Besides Lu Xun’s knowledge storage and
rational choice, we can not ignore the deep connection between them. “Wei-Jin Essays” is not
only the style of Lu Xun’s works, but also the style of his personality, specifically embodied in
the “Wei-Jin Complex” during Lu Xun’s “ten-year silent period”.
The reason of focusing “Wei-Jin” dynasty and having spiritual sustenance on “Ji-Ruan” is
because of Lu Xun’s special lived experiences. In his childhood, the folk ghost culture in
Zhedong area nurtured his sprite. The tension structure between “the natural ghost” and “the
factitious ghost”, the thought basis which integrated Wu-Chang ghost’s individualism and
Nv-Diao ghost’s humanism into a whole had both formed gradually in his young mind. When he
grew up, in his youth the Satanic Poets’ which united evil nature with divine nature met the
humanism of “Tolstoyism-Nietzschean Theory”. At last, in the silent period during the middle
age, when Lu Xun returned back to the Chinese culture, he found the backup of his thought, the
“Zhuling metaphysics” represented by Ji-Kang and Ruan-Ji, Which is to say, when he copied the
characters on ancient monuments, Lu Xun not only assimilated the individualism and humanism
in western culture, but also recovered the Wei-
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