现代文艺学视角下文笔论命题的研究.doc

摘 摘  要 要  六朝时期，由于审美意识的凸显以及编排文集的需要，文体辨析越来越受到人们的 重视，由此出现了文笔之分。古人对于文笔之分的标准问题都有过阐述，颜延之强调二 者文采之别；范晔、刘勰重声韵之有无；而萧绎则围绕情感进行论述。六朝以降，缘于 诗歌创作的兴盛及古文运动的兴起，文笔论渐趋消歇。及至清代阮元，为提高骈文地位 而重提文笔论，使人们意识到文学形式本身的重要性。清末民初，随着现代文学学科的 建构，学者们普遍接受了西方文学观念，并在文笔论的研究中突出了其纯文学观念的价 值所在。建国之后，尤其是新时期以来，西方文学观念的重新输入，学术界对文笔论的 研究继而再度兴起，但其研究思路仍遵循现代学者的范式。在强调文章“明道经世”作 用的中国古代，虽然文笔论在一定程度上体现了人们对于文学形式、情感等方面的重视， 但这离真正的纯文学观念自觉还很远。本文立足于古代文笔论发展实际情况与现当代学 者的文笔论研究资料，分析文笔论在现代文艺学视角下阐释的时代意义与价值，并对纯 文学视野下文笔论与古代文学研究进行再审视与反思。  关键词  文笔论  古代文论 西方文学  文学观念  I Abstract Abstract In the Six Dynasties. Just because of the highlights of aesthetic consciousness and the need of arranging corpus,the discrimination of article style seemed to be attached more and more attention,thus born out the distinguish of Verse Prose.The ancients have elaborated for the standard of the distinguish of Verse Prose.Yan Yanzhi emphasize the difference of literary grace on both.Fan Ye、Liu Xie pay attention to exist and nonexist of rhyme.Xiao Yi discuss it around emotional.After the Six Dynasties,as result of the prosperity of composing poems and the beginning of the initiating ancient writings,The theory of Verse Prose faded out.The theory of Verse Prose was dig out because of getting legitimacy for prose When the Qing Dynasty RuanYuan.It make people aware of the importance of literary form itself. The late Qing Dynasty and early Republic of China, with the discipline construction of modern literature, scholars generally accepted western literature concept.And highlights the value of the pure literature concept in the study of the theory of Verse Prose.After the founding of the PRC,especially after the new times,as the re-enter of western thought, the research about theory of Verse Prose restarted again, but the research ways still follow the model of modern scholars.In ancient China which emphasis on articles classic affect.Although the theory of Verse Prose,to a certain extent, reflected the peoples attention to literary form, emotion, etc.But it