浅论工笔人物画中少数民族题材的特点.pdf

材工笔绘画的丰富性和历史意义。 从事绘画首先要确定创作思路，其次是创作方法。本论文通过对 少数民族题材工笔人物绘画所体现的艺术特点的论述，强调了继承与 创新“兼而有之”的创作思路。在继承传统的同时要不断创新，在继 承传统工笔人物画的精神和形式内容的基础之上而有所变化、有所更 新。只有这样才能随着艺术发展的潮流，开拓具有画家个性的创新之 路。根据本人在创作实践中的体会与见解、在了解研究少数民族生活 习俗中得到的素材资料，以个人绘画创作的形式在本论文中进一步地 阐述“兼而有之”的创作思路。 关键词 少数民族题材，工笔人物画，少数民族服饰特点，绘画手法 IIl ABSTRACT is The ofthe incurrentChinesemeticulous subjectminority painting ofthe directionsof oneofthe themesandisalsoone important important the researchand thesisdescribesthe painting development．This featuresofthe Chinese andartistic minority—themed development meticulousinthetwo classic methodsand painting aspects：thepainting innovationsincurrentartistic onthebasic in theory presentations．Based for and Chinese materialsandinformation painting，first-hand painting withthe directcontact minority,the through experiencegained personal intheformofvarious furtherreveals views thesis personal paintings． and tothetraditionalmethods Not bound painting forms，the being Chinesemetic