The Artistic Expression in the Film “Under the Hawthorn Tree”.docVIP

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2016-02-24 发布于北京
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The Artistic Expression in the Film “Under the Hawthorn Tree”.doc

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The Artistic Expression in the Film “Under the Hawthorn Tree”.doc

The Artistic Expression in the Film “Under the Hawthorn Tree” 　　摘要：Yimou Zhang begins his directing career with the literary film which is also a representative of his personal directing concepts. Along with the popularity and development of commercial films， a lot of famous domestic directors begin to go with the tide to make literary films. The literary film is a kind of simple but moving film which often gains the recognition from a lot of audiences. “Under the Hawthorn Tree” is the best example to show Yimou Zhang’s way back to literary film. It presents an outstanding artistic expression effect by telling a simple love story to the audience. The present thesis gives an analysis into the artistic expression of the film “Under the Hawthorn Tree” from the perspective of ethic art， modern style， cultural beliefs， etc. 　　关键词：“Under the Hawthorn Tree”； love ethics； modern style； artistic expression 　　中图分类号：G712 文献标识码：B 文章编号：1002-7661（2015）05-034-02 　　Love is an everlasting theme in the film market. Lots of love films are released every year and they can meet the audiences’ demands at the same time. Films directed by Yimou Zhang， a famous director at home and abroad， give audiences extraordinary artistic feelings and are highly praised by people. As one of the representative works of Yimou Zhang’s way back to the literary film， “Under the Hawthorn Tree” shows a different concept of artistic ideas by telling a love story between two literary youths. This film has become a reference for the shooting and producing of other love films. 　　1. An introduction to the film “Under the Hawthorn Tree” 　　“Under the Hawthorn Tree” is a love film recomposed according to Amy’s novel of the same name. It tells the until-death， sincere and pure love story between the two leading characters Jing Qiu and Lao San. After directing a few commercial films whose box office and word of mouth are out of proportion， Yimou Zhang returns back to his adept literary films. Although this film