山水画积墨法对我创作影响.pdfVIP

山水画积墨法对我创作的影响 中文提要 山水画积墨法对我创作的影响 中文提要 中国山水画源远流长,在中国画发展的历史长河中，中国画一向重视用墨。在诸 多的墨法中，积墨法为其中一条重要的笔墨法则。 他的积墨法不是一次落墨所得的墨色效果，而是在反复多次，层层积墨的基础上 形成的浑厚苍茫的墨韵效果，“积墨法”的层层积染可以使画面显得浑厚苍润。他的 艺术成就对许多山水画大家也产生了影响如：黄宾虹、李可染等。同时也对我的山水 画学习及创作产生了重大的影响，学习中国山水画必须认真研究古人笔墨的精髓和自 然造化之规律。笔者在研究生学习过程中，深刻地体会到，掌握古人笔墨精神的途径 是“临摹研究”；而掌握自然造化的途径则是“写生研究”。行文将结合笔者临摹的龚 贤的作品《溪山无尽图》、写生作品、创作作品《山壑腾云》、《云壑晨辉》等，从勾 皴、树石等物象的处理和笔墨运用方面逐一探究自己对龚贤山水画的笔墨特点的探 索。 关键词：山水画 积墨法 龚贤 创作 影响 作 者：费睿娇 指导老师：方向军 I Abstract The effects of JiMo method in landscape painting on the creation The effects of JiMo method in landscape painting on the creation Abstract Chinese landscape painting has a long history, almost throughout the whole of the Chinese painting. In the long history of development of Chinese painting, Chinese painting has always attaches great importance to the ink. In many, many, JiMo method as one of the important rules. JiMo method is the most significant manifestation of Gong Xian paintings. JiMo method is not a walking the inky effect, but in many times the ink on the basis of the formation of the two sides, JiMo method of layers of dye product can make the picture appear pale. His artistic achievements of many landscape painting we also have an effect such as: huang, Li Keran, etc. At the same time also to my study landscape painting creation produced significant influence, learn the essence of Chinese landscape painting must carefully study the ancients ink and the laws of nature. The author in the process o