江淹诗歌研究.pdfVIP

内容摘要 江淹作为封建时代的文学家，他的作品当中透露着积极入世、消极逃避和宿 命论的思想。儒家、佛家、道家三种思想伴随他一生，儒家积极入世的思想在江 淹一生的仕途当中起着重要的推动作用，而失意挫败时，佛家和道家的思想又成 为他精神上的慰藉。作为南朝颇有名气的一名诗人，江淹现存诗歌一百四十二首， 绝大部分是五言古诗，少部分是四言、七言古体和骚体诗。现存的诗歌中，拟古 之作占了将近一半，成就也较高，钟嵘《诗品》对江淹诗歌的评价是：“文通诗 体总杂，善于模拟”，宋代·严羽《沧浪诗话》也说：“拟古惟文通最长，拟渊明 似渊明，……”但真正代表他创作风格的则是抒写他个人哀怨的作品，他的诗歌 多以表现愁怨为主题，从而形成了以悲凉为主的风格特色。清·刘熙载《艺概· 诗概》说：“江文通诗，有凄凉日暮、不可如何之意。此诗之多情而人之不济也。” 江淹作为汉魏六朝悲怨文学最具代表性的作者，对后来的文学创作产生了一定的 影响。 关键词: 江淹、思想倾向、诗歌内容、风格特色 --2-- Abstract Abstract AAbbssttrraacctt Jiang Yan, as a feudal society litterateur, he shows a kind of interlaced and complicated idea from his works, which including active vita activa, negative escapism and fatalism. Confucianism, Taoist and Buddhist stay with Jiang Yan for a lifetime, thereinto the active vita activa of Confucianism has embodied a strong driving force that reacted on his official career. While in dejection and frustration, he wasconsoled bytheBuddhistandTaoist. As a famous poet in the Southern Dynasty (宋Song420－479), Jiang Yan has more than 140 works (mostly poetry) existing. Most of them are a form of pre-Tang poetry of Wu-Yan poems, and the rest of are Si-Yan , Qi-Yan and Sao style poems, furthermore, the archaistic works have achieved a major success and nearly half the 140works to beknown asthearchaisticstyle. Zhong RongsTasting Poetry(钟嵘《诗 品》) said that JiangYan’s miscellaneous poems are all good at imitating.And talks onPoetryfromCanglang(宋代·严羽《沧浪诗话》),thatimitatingtheancient poestisJiangYan’scharacteristics…”. However, the most theme of Jiang Yan’s poems express gloom and sad, and desolation is to be realized as his idiom style that can be seen in his many works which express his personal sorrow. Liu Xizai’s (Qing Dynasty ) Arts poetry Overview(清·刘熙载《艺概