感时花溅泪恨别鸟惊心“比”、“兴”手法在中国花鸟画中的运用.pdfVIP

感时花溅泪 恨别鸟惊心 “比”、“兴”手法在中国花鸟画中的运用 objects”), is “Xing”. the so-called focused on the matter. Therefore it can be said that the creation of flowers and birds paintings is definitely not a naturalistic copy of the images of things but a way “to express one’s ambitions, feelings and emotions through these images”. This is what the Chinese Flowers and Birds Painting advocates a flower stands for a world, while a leaf represents Rulai (the most capable god in the story of Buddhism), which is also the philosophy origin of the aesthetic ideas. It is also a good reflection of the realm in the Flowers and Birds Painting “images and their painters, Heaven and man are so well combined just as a whole.” This essay contains three chapters. The first chapter gives a brief introduction of “Bi” and “Xing” from a literary point of view. The second chapter focuses on the exposition of the use of “Bi” and Xing and their functions in Chinese Flower and Bird paintings. The writer of this essay has also listed some flower and bird painting artists and analyzed their art works to come to this conclusion: By using “Bi” and Xing in the flower and bird paintings, the painter can not only reach a better combination of human nature and the nature of the things they create as a whole and better express the painter’s feelings and emotions, but also improve the artistic charm and enhance the artistic appeal of bird and flower painting. Meanwhile, the writer has stated the extension and expansion of the usage in contemporary Chinese Flowers and Birds Painting by giving examples. Finally, based on her own painting experience, the writer has given her own ideas and opinions on the means of “Bi” and “Xing” . In her opinion, if an artist wants to create outstanding works in flowers and birds painting, the painter must first emotionally reach a complete agreement with the t