试论中国画艺术的“形神说”.pdfVIP

第24卷第2期 甘肃联合大学学报(社会科学版) Vo1．24，No．2 2008年3月 Journal of Gansu Lianhe University(Social Sciences) Mar．2008 试论中国画艺术的“形神说’’ 莫 晓捷 (甘肃联合大学 艺术学院，甘肃兰州 730000) 【摘 要】形与神是每个中国画家十分关注的极为重要的两个问题，因此古人提出“以形写神”理论，苟子 提出的“形具而神生”最终确立了“形神说”的学术位置。不求形似是与追求神似相对而言的，怎样用形来传 神，并且神可以从形当中解放出来、改造、甚至变形，而不受形的制约。面对当代美术，中国画与西方绘画的相 互交融，“形神说”具有了新的活力，焕发出勃勃生机。 【关 键 词】中国画I形神说；审美观念 【中图分类号]J202 【文献标识码】A 【文章编号】1672-707X(2008)02-0093-03 On the Image and Spirit of Chinese Painting M0 Xiao-jie (School ofArts，GansuLianhe University，Lanzhou 730000，China) Abstract：Each of Chinese artists pay close attention to the most important elements image and spirit．So the ancients advanced the theory of“making the form show the spirit”．And one of the ancients，who named“Xunzi”said that if the form were founded，the spirit will be grown．Thus。the theory of“the image and the spirit”has established its own aca— demic position．Comparatively speaking，the artist tries not to seek the same image but tO the same spirit．How tO trans— mit the spirit of the painting from the image，and the spirit can be liberated from the image，and the spirit also can be re‘ made，even the f0rm to be changed by the spirit．To do it in this way。the spirit can not be restricted by the image．Facing tO the modern art，Chinese painting and Western paintings are mixed together in somewhere，this phenomenon has injec‘ ted the fresh，new vigour into the theory of“the image and the spirit”．And the theory is irradiating with thriving vitality． Key words．．Chinese painting；theory of“the image and the spirit”；sense of appreciation of the beautiful 形与神是每一位中国画家十分关注的极为重 家籍以表达思想感情的载体，所以在写形时只需 要的两个问题，因为神的不确定性及神秘色彩，一 凭感觉去画，大可不必拘泥于对现实物象分毫不 直是学术界争论的