about playing the li mao huan tai zi experience in a corner beads kou（打毛李洹太子的经验在一个角落里珠子的冠）.docVIP

About playing the Li Mao Huan Tai Zi experience in a corner beads Kou Upon receipt of lt;lt;狸猫换太子gt;gt; Kou corner bead, I think a lot, Shanghai Peking Opera Theatre Shi Min teacher vividly to this characterization, saying the line with the sentence: “Cover the cap.” People is a big theater, and is the actor, but how should I play Kou beads to make a speech law the audience to accept it? First, do not take shortcuts, start from scratch Rehearsal lt;lt;raccoongt;gt; drama, supposedly there are shortcuts, can according to the Shanghai Peking Opera performance of video to the same rigid rigidly applied as a parrot, one by one to learn, but I did not do that, but starting from scratch. First, read the script, carefully listen to the director explained, readers sort through the line of action figures. Read the script, I can not calm my heart not only to be ups and downs, interlocking attracted to the story, and song lyrics, catchy dialogue, really deserves to be fine, created for the actors and lay a good foundation, I deeply fell in love with the character Kou beads she is mixing in the ups and downs, Prince Paul, infighting among the brutal struggle of the court, such as living in Banjun Tiger with a specific environment, the formation of her gentle, kind, alert, honest, have a strong love and hate and delicate, deep personality. is accurate, detailed performance of this character, I seriously geographic Kou beads out of action line: the beginning of the palace, the faithful paternity main (Nishinomiya, when a feeling there will be new-born prince disaster, regardless of the evil Prince hiding, sympathy Li Goddess (Orient House encounter, and the design allowed to meet mother, laid down his life in order to protect Prince come to grief through combing, thinking more clearly, to understand the feelings of the character level Kou Chu, psychomotor a lot of good for entry into the rehearsal and lay a more solid foundation. Second, do not seek the