hou hsiao-hsien film on the edge on the image of(侯孝贤电影图像的边缘).docVIP

hou hsiao-hsien film on the edge on the image of(侯孝贤电影图像的边缘).doc

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hou hsiao-hsien film on the edge on the image of(侯孝贤电影图像的边缘)

Hou Hsiao-hsien film on the edge on the image of [Abstract] marginal people in a given system, for those who lost their self-identity of the person referred to. Hou understood not so much the edge of a social nature of human definition, rather, is a state of survival of the human describes his life as the edge of the true state, as living in different times and social patterns of the common features. this unique perspective to Hou Hsiao-hsien film’s narrative has a clear position that people with broken edges the boundaries between ordinary people. Hou Hsiao-hsien film by removing the first concepts, reshaping the image of the edge reflects the recognition of the established framework of questioning and deconstruction. [Keywords] Hou marginal values ??deconstruction point of view 1980 lt;lt;yo, she isgt;gt; 2006 lt;lt;red balloon tripgt;gt; length film directed by Hou Hsiao-hsien total of 18. The movie lt;lt;style cabinet to the peoplegt;gt; as a symbol, Hou Hsiao-hsien film unique modeling tools and ideographic way up gradually established the Taiwan New Cinema Taiwan by the end of the 1970s the prevalence of local arts and cultural movements, with a strong local color and vivid realistic tendencies. most of the new film director interested in the history of Taiwan and reality as the basis to create their own familiar, care and love, ‘My Land My People.’ creation when they have begun to taste invariably selected their own personal experience as a film material. Hou Hsiao-hsien is no exception. With people gradual deepening of understanding, the director more turning someone other than their own. It is this unique material with the film medium, the existence of Hou Hsiao-hsien were constructed in Sri Lanka, the specific relationship between time and space, depicting a person appearance and survival of the true state of the speech he intended to convey the truth of life. A On the main characters in his works the generic question, Hou Hsiao-hsien c

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