混音-04.混音流程.pdf

Mixing Audio 60 4 The process of mixing 混音流程 4.1 Mixing and the production chain 混音与音乐制作流程 4.1.1 Recorded music 录制产生的音乐（Recorded music）的制作流程 There are great differences between the production process of recorded music and sequenced music, and these affect the mixing process. Figure 4.1 shows the common production chain of recorded music. Producers might have their input on each stage, but they are mostly concerned with the arrangement and recording stages. Each stage has an impact on the stages succeeding it, yet each of them can be done by different people. Mixing is largely dependent on both the arrangement and recordings. For example, an arrangement might involve only one percussion instrument, say a shaker. If panned center in a busy mix, it is most likely to be masked by other instruments. But panning it to one side can create an imbalanced stereo image. It might be easier for the mixing engineer to have a second percussion instrument, say a tambourine, so the two can be panned left and right, respectively. A wrong microphone placement during the recording stage can result in the lack of body for the acoustic guitar. Recreating this missing body during mixdown is a challenge. Some recording decisions are, to be sure, mixing decisions. For example, the choice of stereo-miking technique for drum overheads determines the localization and depth of the various drums in the final mix. Altering these aspects during mixdown takes effort. 录 制 产 生 的 音 乐（Recorded music） 与 编 曲 产 生 的 音 乐（Sequenced music）在制作流程上存在很大差别，这种差别会对混音流程产生影响。录制产生 的音乐的基本制作流程如图 4.1 所示。音乐制作人可能会参与到其中每一个制作阶 段中，但他们最关心的是配器阶段和录音阶段。尽管每一个制作阶段都会对下一个 Mixing Audio 61 Songwriting Arranging Recording Mixing Mastering 歌曲写作 配器 录音 混音