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Focus Group Findings - Society for Music Theory焦点小组发现社会对音乐理论
* SOCIETY FOR MUSIC THEORY – COMMITTEE ON THE STATUS OF WOMEN FOCUS GROUP FINDINGS SOCIETY FOR MUSIC THEORY – COMMITTEE ON THE STATUS OF WOMEN IDEAL RESEARCH PLAN: 10 groups with female graduate students 10 groups with male graduate students 5 with theory grad students 5 with other grad students 5 with theory grad students 5 with other grad students representation from across North America even distribution of Master’s and Ph.D. students SOCIETY FOR MUSIC THEORY – COMMITTEE ON THE STATUS OF WOMEN PARTICIPANTS: 8 female graduate students in music theory 4 at the Master’s level; 4 at the Ph.D. level 2 universities represented both Canada and the US represented SOCIETY FOR MUSIC THEORY – COMMITTEE ON THE STATUS OF WOMEN ACTIVITIES: 1. Perceptions of the Discipline I (from the point of view of a music theory graduate student) 2. Perceptions of the Discipline II (from the point of view of a musicology graduate student) 3. Identification of Barriers and Challenges to Recruitment 4. Exploration of Potential Recruitment Strategies undergraduates graduate students in theory at the Master’s level students in other branches of music (composition, performance, musicology, ethnomusicology) SOCIETY FOR MUSIC THEORY – COMMITTEE ON THE STATUS OF WOMEN PERCEPTIONS OF THE DISCIPLINE I: music theory is perceived as academic, involving thinking and dealing with the music itself; it is technical musicology is perceived as broad and multi-disciplinary; it seeks to create a historical context for the music a small number of negative perceptions about music theory no negative perceptions of musicology SOCIETY FOR MUSIC THEORY – COMMITTEE ON THE STATUS OF WOMEN PERCEPTIONS OF THE DISCIPLINE II: musicology is perceived as broad[er], wide[r] in scope, multi-disciplinary, sensitive, nuanced, able to step back and see the whole picture music theory is perceived as narrow, dull, dry, limited, detai
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