梅特涅尔童话奏鸣曲及其作品op.25 no.1分析研究-an analysis of metternichs fairy tale sonata and op.25 no.1.docxVIP

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梅特涅尔童话奏鸣曲及其作品op.25 no.1分析研究-an analysis of metternichs fairy tale sonata and op.25 no.1.docx

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梅特涅尔童话奏鸣曲及其作品op.25 no.1分析研究-an analysis of metternichs fairy tale sonata and op.25 no.1

AbstractMedtnerwasborninGermanybetween19thand20thcentury.Andhewasarussiancomposerandpianist.Hecontributetomusiccompositionwasthecreationof“FairyTales”whichakindoflyric-balladeforpiano.Mysubjecthavefourchapterswhichresearchandanalysethiscomposerandhis“FairyTalesSonata”OP.25NO.1.TheworksofMedtneroftenhadameaningfulliterarysenseastheresultofbenefitingbytheclassicandromanticmusic.TheRussianclassicandroamticmusicconcretizehiscompositions.Somebasicdetailsofthisarticleareasfollows.Itbeginswith“TheBackgroundofmusiccompositionofMedtner.”Thesecondchapteris“TheGenreCharactersofFairyTalessonata.”Thefinalpartdescribes“ThespecificanalysisofFairyTalesSonataOP.25O.1”.ItisthekeypointofmydissertationhatprovidesreferenceforplayerswhocouldbeexpolreditsunderlyingployingstyleandperformingteachniquesbycombinedwiththecharacteristicsofcreationoftheFairyTalesSonata,theanalysisofcomposition,andtheexperienceofplayersownperformance.RegardingtheFairyTalesastheresearchsubject,weshouldtrytodefineanewthereasonwhydidMedtnergainlittleimportanceatthattime,aswellasevalnateobjectively.Keywords:MedtnerFairyTalesFairyTalesSonata目录绪论·····························································4第一章、对梅特涅尔的重新认识·····································5第二章、梅特涅尔的音乐创作·····································6第一节梅特涅尔的音乐创作的文化背景······························6第二节梅特涅尔音乐创作的分期及其主要特征·························8第三节梅特涅尔的创作思想········································11第三章、梅特涅尔“童话”及OP.25NO.1的分析······················14第一节“童话”与“童话奏鸣曲”的创作背景····························14第二节童话奏鸣曲OP.25NO.1的曲式分析15一、第一乐章····················································15二、第二乐章····················································20三、第三乐章···················································23第四章、梅特涅尔“童话”奏鸣曲OP.25NO.1的演奏诠释···············28第一节第一乐章演奏诠释··········································28第二节、第二乐章演奏诠释··········································33第三节、第三乐章演奏诠释··········································35结论····························································