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Case Study of Film Language Translation and Examples 英语(毕业论文)
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Introduction
In this information age, the audiovisual products have undertaken the transmission of culture between different countries, especially when films and TV programs appeared. So the film translation began to catch the attention of the profession and became a relevant new area. There are many translation standards about film translations which mostly are based on Nida’s functional equivalence theory. Among the study of these results, they always consider the original author’s opinion or the director. Actually, they ignored a very important factor-the audience. For films are supposed to the audience. If audiences are not satisfied with the film, there is nothing meaningful. Different from the cartoon，the commonality can not allow it to wait many times , the directors must make his works accepted by audience and markets in the shortest time. If not, even the most fantastic works would be ignored by all of people. Thus, compared with other art, movie is more a kind of psychology, for if we don’t give what audience wants, the movie will be meaningless and lose on the meaning of existence. So it is major point to study the aesthetic of audience no matter of the creation and production and publication and distribution of movie.
The main study aspect of audiovisual translation is: dubbing and subtitling.
As for the translation standard, there has a general agreement on the Yan Fu’s Triple Principle of translation: faithfulness, expressiveness, elegance in China
Almost film language is English translated to Chinese. It consists of the title and subtitles, and the later one is the focus of this dissertation.
2. The Basic Ideas of Translation Standard
We are agreed that the common translation standard is the principles of faithfulness, expressiveness, elegance in China
Excellent translators have studied the translation standard from many perspectives for many years. Nida’s functional equivalence theory is the most famous one.
2.1 The Basic Relevant I
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