“不成魔不成活”——论中国当代电影中的疯癫形象文艺学专业论文.docxVIP

山东师范大学硕士学位论文 山东师范大学硕士学位论文 II II 象的“狂”、“愚”、“痴”等精神气质和特征，并且在中国当代的社会文化背景下具有了更 加复杂的内涵。主要体现在三个方面：一是体现生存智慧。疯癫形象表现出的大智若愚、 大巧若拙等特质体现了生存智慧。二是折射社会问题。疯癫形象折射社会发展中政治、经 济乃至文化等意识形态领域的不合理，促使人们不断反省自身及与社会环境的关系。三是 呼唤认同理解。创作者力图通过塑造疯癫形象使观众意识到疯癫不完全是病态，能够缓和 主流意识形态对疯癫的疏离和排斥。 “疯癫”作为当代电影的主题之一，在塑造策略上有创新之处，在文化内涵上有不可 忽视的价值。他们比常态的人物形象更具震撼人心的力量，有着丰富的审美意蕴和文化意 蕴。 关键词：中国当代电影；疯癫形象；塑造策略；文化意蕴 分类号：I01 No magic,no survival-- mad characters on the screen in China Abstract There are more and more mad characters appears on the screen in china.Filmmakers make some social problems and their feelings known to all through these abnormal characters.These characters are non-rational,or obsessed with somebody or something,or becoming more crazy with peoples alienation.I classify the mad characters in this thesis and discuss its shaping strategy and cultural connotation. I divide the thesis into several parts: Introduction.The academic circles have not pay enough attention to the mad characters in movie.The characters have not been studied deeply.There is only one article analysis of mad characters in Chinese Contemporary Film written by Liu Shuxing analyzing mad characters from directors view. Interpretation of the mad characters scattered in the case studies,divided as follows:discovering the aesthetic characteristics and the internal implication,exploring the accepted psychology of the audience based on the specificity of mad characters,relying on Feminism to explain the reason of female madness.My study focus on the mad characters in Contemporary Film in china.The value of classifying and summarizing them is meaningful. Chapter one:mad characters and madhouse scene in Chinese Contemporary Film.The implication of mad is similar to Foucaults definition of mad in his book Madness and Civilization.In Foucaults opinion,we should not simply think mad as a disease.He analyzed madness and the relationship between madness and civilization through knowledge, power, sociology and psychology,etc.Western civilized people hav