“东亚电影中心”目标视野下的中国电影发展路经研究-新闻学专业论文.docxVIP

万方数据 万方数据 摘要 上海师范大学硕士学位论文 关键词：中国电影；东亚电影中心；上海电影；香港电影 II Shanghai Normal University Master of Philosophy Abstract Abstract Recently, the Film Industry in China is developing rapidly, just like the caramel popcorn, exuding a sweet aroma. Financiers, project developers, even the Internet giant are glaring at Chinas film market covetously; a large number of overseas funds, personnel and technology is coming to China; a series of CO production films emerge in an endless stream, not only in the domestic also in the International Film Festival Award. The Chinese market has become the worlds fastest growing film market, and is far from reaching saturation. The research is coming under such an opportunity. It is started from the influence of Chinese film background and the interrelationship of East Asian countries, also from the development of the industry of origin, representative works and the effect of the specific aspects, tend to clarify the relationship between the Chinese film and the background times, and to clarify its growth in fuzzy path. The research depends on test of communication studies, political science, East Asian culture etc. to relate fields of old study, East Asian political and economic climate change, would like to find out the current Chinese film development trend. Since 1896, film was introduced into China. At the beginning of twentieth Century, the Chinese film has repeatedly been pushed to unprecedented prosperity. At that time, Hong Kong and Shanghai, respectively became the representative of the Chinese film. And they had the ability to affect the direction of the East Asian Film circle. The two cities used to have their own strengths in the movie nationalism and consumerism, as a kind of popular culture spread to overseas work. From the beginning of the development of Chinese film, Shanghai and Hong Kong have won the honor of the East Hollywood. In this paper proved that they worth the honor by two aspects: the Chinese film of inner strength (