艾米莉·迪金森诗歌中名声隐喻的认知分析-英语语言文学专业论文.docxVIP

万方数据 万方数据 Acknowledgements My heartfelt and profound gratitude first goes to my supervisor, Associate Professor Wang Lei, for his invaluable advice and assistance during my postgraduate life. In the first year, learning that we are interested in cognitive metaphor, he then recommended us a series of professional readings on cognitive metaphor, guiding me to the academic field of cognitive metaphor. Besides, he often shared his ideas of cognitive metaphor with us and put forward constructive advice to us, deepening my understanding of it, which is of great help to me all along the writing process. Furthermore, his scrupulousness and spirit of responsibility in modifying my paper move me a lot. My great thanks to him is beyond words. I also owe a debt of gratitude to all the professors and scholars who have offered me courses during my postgraduate studies, which have helped me lay a solid foundation for this significant attempt and learn how to do research. My thanks should also go to my friends who have helped and encouraged me all the way in writing the paper. Last but not least, I am greatly indebted to my family: my father, my mother, especially my brother for their support and encouragement. 摘 要 艾米莉·迪金森（1830-1886）是美国文学史上的一位杰出女诗人，在诗歌 创作方面与爱伦坡、惠特曼齐名。她的诗在形式上富于独创性和典型性，对美国 文学尤其是诗歌方面做出了独创性的贡献，被推崇为美国新诗的鼻祖、西方意象 主义新诗运动的先驱，研究她的诗歌具有一定学术价值。此外，艾米莉·迪金森 生前过着隐居的生活，她个人对外界来说是个谜，而她诗歌语言风格中最突出的 特点就是借助隐喻来表达其抽象的内心情感世界和深奥的哲理。因此，对她诗歌 隐喻的研究也有助于人们对艾米莉·迪金森个人更深层次的认识，从而也能更好 地欣赏和解读她的诗歌。 隐喻研究的发展经历了一个漫长的过程。传统隐喻理论认为隐喻是一种修辞 现象，普遍存在于诗歌语言中，是增加语言表达力的一种工具。这种传统的隐喻 观直到二十世纪七十年代末、八十年代初才受到挑战。Lakoff 和 Johnson 在他们 1980 年出版的《我们赖以生存的隐喻》中提出隐喻是认知手段，存在于日常生 活中，之后又提出并发展了概念隐喻理论，打破了传统修辞学对隐喻仅作为修辞 手段的认识。1997 年，Fauconnier 和 Turner 在心理空间理论的基础上，提出并 发展了概念整合理论，构建了源域到目标域空间映射的动态过程，使隐喻的研究 迈入了新的阶段。 本文运用概念隐喻理论和概念整合理论对艾米莉迪金森 6 首诗歌中名声为 主题的隐喻从两个维度进行分析，印证了隐喻来源于身体经验、是人们体验和思 维的表征、概念隐喻具有普遍性等认知隐喻的观点和论断。此外，概念整合理论 的运用，为我们再现了诗歌中名声这一抽象概念的意义建构过程以及人们解读诗 歌时经历的心理动态过程，从而阐释诗歌中名声之意象的意义建构的认知机制， 为研究艾米莉迪金森诗歌意象提供了一种崭新的角度和方法。总之，本研究进一 步证明了隐喻在人们思维表达方