陈继儒《妮古录》与书画鉴藏-美术学专业论文.docxVIP

I I 摘 要 陈继儒是明代著名的书画鉴藏家，富于收藏，精于鉴赏，并且撰写了多部书 画著录。本文从多角度去研究陈继儒，包括他的山人身份的考察，《妮古录》的 解读，书画鉴藏活动以及书画鉴定和书画创作等方面，以求整体上探讨陈继儒的 书画鉴藏世界。 本文从晚明山人展开讨论，作为具有山人普遍特征的陈继儒，交游、著书、 鉴赏自真，为了给后人留下可供参考的书画文献，著录了《妮古录》。从《妮古 录》当中，笔者看到了陈继儒的书画鉴藏活动和书画理论倾向，陈继儒与董其昌、 项氏家族、李日华等书画收藏家交往频繁，其中与董其昌的书画交流更是长达三 十多年之久，与江南地区书画名流的交往，拓宽了陈继儒的书画鉴定能力，培养 了他典型的“文人画”倾向。陈继儒与董其昌的书画交流中，培养了二人共同的 书画理论，陈继儒在其撰写的著书中大力提倡“南北宗”，为最终董其昌提出的 “南北宗论”起到了很好的宣传作用。陈继儒的书画鉴藏活动，使其培养了独特 的书画鉴定能力，分析了大量书画的真伪，也为陈继儒的书画创作提供了有益的 帮助，最后笔者分析了陈继儒的画梅和山水画的特点。 关键词：陈继儒 妮古录 书画鉴藏 II II Abstract Chen Ji ru is famous Ming Dynasty painting and collectors, with a collection, good taste, and the author of more than painting the record. This article from multiple perspectives to study Chen Ji ru, including his identity Hermit study, interpretation of Minnie the ancient record, and painting activities and collectors as well as the identification of painting and painting and calligraphy, etc., in order to explore the whole world Chen Ji ru paintings and collectors. Discussed in this paper, from the late Ming dynasty mountain man, as a mountain man Chen Ji ru, characteristic of common friends, writing and appreciation from true, Chen Ji ru in order to leave a reference to the future generations of painting and calligraphy, literature cataloguing the ni ancient record. From the ni ancient recorded , the author saw Chen Jiru tendency of painting and calligraphy as a hidden activity and the theory of painting and calligraphy, Chen Ji ru and dong qi chang, a family, li ri hua, such as painting and calligraphy collector exchanges, including communication with dong qi changs calligraphy and painting for more than 30 years more, associate with painting and calligraphy celebrity in the south of the Yangtze river, widen the Chen Jiru calligraphy and painting appraisal ability, cultivate his typical tendency of literati painting. Chen Ji ru communicate with dong qi changs calligraphy and painting, cultivating the common theory of painting and calligraphy, Chen Ji ru strongly advocat