hohner手风琴现象研究音乐与舞蹈学专业论文.docxVIP

AbstractSince Abstract Since being introduced into China in the early 20th century and after experiencing the process of introduction，development，heyday and decline，accordion tends to be marginalized in the diverse socio-cultural environment．The accordion art that once occupied a dominant position gets hit by other instruments for training． Under such a background，HOHNER accordion company takes various measures to attract more music lovers to become interested in accordion and join to be a player, which greatly suppresses the marginalization trend of accordion in China and gradually prompts accordion art back to public view．The writer thinks this is a social-cultural subject deserving attention． The subject is selected through analyzing the development conditions when HOHNER accordion twice entered China,studying the theoretical foundations of efforts made by HOHNER accordion company to bring accordion culture back to public view and then promoting the concluded theory to other art phenomenon，which enriches research samples of social communication for Chinese musical arts． This paper is divided into three chapters：the first chapter makes a detailed narration of different situations when HOHNER accordion twice entered China and then emphatically analyzes the early development of HOHNER accordion in China and Shanghai as well as the reason that HOHNER accordion failed to enter China in 1 930s．It also concludes the domestic and overseas development conditions when HOHNER entered China for the second time after 2008 as well as the efforts made by HOHNER accordion company to bring accordion back to public view．The second chapter makes a detailed description of measures taken by HOHNER accordion company to propagandize this accordion brand，which is concretely analyzed in five parts．The third chapter makes an analysis of musical and cultural phenomenon of HOHNER accordion，carries a systematic comparison of different ways it applied to 万方数据 twice twice enter China and the