汉代画像石的文化内涵及审美价值-中国语言文学 文艺学专业论文.docxVIP

兰州大学硕士学位论文 兰州大学硕士学位论文 汉代画像石的文化内涵及审美价值 Abstract The portrait stone of Han Dynasty refers to the carved portraits on stones in order to decorate the tomb，the tomb of Temple，the tomb of Que，burials and other buildings．It is only belonged to Han Dynasty in China and manufactured by most folk artists without names，who took the stone as a land and a knife as a brush．They painted and carved on the stone average、^ritll a hook line of ink or color．The portrait stone of Han Dynasty dated back to the mid-Western Han Dynasty,populated in the mid and late Eastern Han Dynasty and declined in the latest stage of Eastern Han Dynasty．It is the products of specific historical period、析tIl distinctive characteristics of that time and national characteristics of China,and it is also the treasures in ancient cultural heritage． The portrait stones of Han Dynasty are rich in resources．They are distributed in、析de regions in china,but mainly in Henan，Shandong，Sichuan，Shanbei provinces and other places．This distribution is associated丽n1 the local economy,culture，common social practice and folk customs．Since the painted stones of Han Dynasty have been found, they have attracted the attentions of scholars．They settled off a research upsurge and the study of the painted stone of Han Dynasty has experienced four different stages． As a product under the given cultural background，the painted stone of Han Dynasty has rich and unique cultural connotations．It is a way of expressing good wishes that the Han people prayed for long lives，happiness and avoided confusion disasters．Not only does it reflect the views of the Han people’S life and death，cosmology,but also reflects the thoughts of Confucian and Taoism，Popular folk—believes，the original religious consciousness，folk customs and other contents． As an outstanding representative of the Han’S art，the painted stone of Han Dynasty reflects the unique aesthetic taste and