中国传统鱼纹木雕花板构图分析-包装工程.PDF

第 40 卷 第 4 期 包 装 工 程 2019 年 2 月 PACKAGING ENGINEERING 299 中国传统鱼纹木雕花板构图分析 潘玲，陶毓博，李鹏 （东北林业大学，哈尔滨 150040 ） 摘要： 目的 文章介绍了鱼纹样在传统木雕花板中的造型艺术及应用技法，重点分析了其构图原则。 方法 结合实物重点分析鱼纹样在木雕花板中典型的散点透视、满与空辩证统一的构图方式及夸张的艺 术手法。以《金玉满堂》艺术品为例，从统一与变化、静与动和节奏与韵律三个方面详细阐述形式与内 容之间的关系。结论 鱼纹样以其丰富的文化内涵，向世人展示着它独具特色的形态特征和深刻的思想 内涵。通过分析传统木雕花板构图可以看出，构图的恰当组织与合理设计在木雕花板的情感表达中具有 重要作用，是民间传统装饰艺术不可或缺的重要因素之一，继而启发我们从中国传统鱼纹中去思考现代 设计，对传统纹样进行创新，以期为现代家具、室内和服装设计等领域提供理论借鉴。 关键词：木雕花板；构图；形式；鱼纹 中图分类号：J524 文献标识码：A 文章编号： 1001-3563(2019)04-0299-07 DOI ：10.19554/j.cnki.1001-3563.2019.04.052 Composition of the Fish Patterns Applied in Chinese Traditional Woodcarving Board PAN Ling , TAO Yu-bo, LI Peng (Northeast Forestry University, Harbin 150040, China) ABSTRACT: The work aims to introduce the plastic arts and application techniques of fish patterns in the traditional woodcarving boards, and emphatically analyze its composition principle. The typical cavalier perspective, composition style of full and empty dialectical unity, and exaggerated artistic techniques of fish patterns in the woodcarving boards were emphatically analyzed. Taking the artworks of Treasures fill the home as an example, the relationship between form and content was elaborated from the perspectives of unity and change, static and dynamic, as well as rhythm and rhyme. With its rich cultural connotation, the fish pattern shows its unique morphological features and profound ideo- logical connotation to the world. By analyzing the composition of traditional woodcarving boards